xeno47-2
Entrou em nov. de 2005
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Selos2
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Classificação de xeno47-2
Christina Applegate stars as, Dawn, a heroine-addicted teen-prostitute fighting for survival on the streets of Venice, whose narrow escape from a psychotic cop (Ed Lottimer) armed with an explosive home-made gun and bent on raping and slaughtering runaways, initiates a bloody pursuit through the hardened world of homeless teens.
After thwarting her attempted rape and murder, Dawn befriends Sy (David Mendenhall), a naive middle-class teen runaway and aspiring musician, who's chosen a temporary life on the streets for seemingly artistic inspiration. Dawn takes Sy under her wing and gives him a guided tour of her world, along the way their friendship of mutual dependence blossoms into youthful love.
Dawn introduces Sy to an interesting array of characters. Most notably Bob (Patrick Richwood) a heroine dealer and eccentric metaphysical philosopher obsessed with the palindromic nature of his own name and its relation to his existence. Also look for a pre-Nog Aron Eisenberg for those Deep Space 9 fans, and 2nd Unit photography by Janusz Kaminski.
"Streets" is a compelling look at the lives of the forgotten and abandon children forced into early adulthood combined competently with gripping psycho-killer action. The violence is superb Corman-esquire exploitation with a nice amount of gore, mostly due to the killer's use of a special gun capable of blasting material into oblivion. However one of the more violent executions is entirely off screen accompanied by a descriptively muffled bang.
The performances are convincing and Katt Shea's direction is outstanding. There are many inventive sequences that utilize techniques that are often misused by others. There is a first-rate use of off screen sound and dialogue, especially Bob's rants, plus a gorgeous temporal ellipsis that brings the audience from one time to the next within the same space. When watching this I was struck how the image of the motorcycle cop hunting down the innocence of a child is something that we've assigned almost icon status to the villain in Terminator 2, however this film demonstrated that same notion of a symbol of protection and justice twisted into the complete opposite -and a couple years before James Cameron's version.
This film is so underrated why is it not on DVD???
After thwarting her attempted rape and murder, Dawn befriends Sy (David Mendenhall), a naive middle-class teen runaway and aspiring musician, who's chosen a temporary life on the streets for seemingly artistic inspiration. Dawn takes Sy under her wing and gives him a guided tour of her world, along the way their friendship of mutual dependence blossoms into youthful love.
Dawn introduces Sy to an interesting array of characters. Most notably Bob (Patrick Richwood) a heroine dealer and eccentric metaphysical philosopher obsessed with the palindromic nature of his own name and its relation to his existence. Also look for a pre-Nog Aron Eisenberg for those Deep Space 9 fans, and 2nd Unit photography by Janusz Kaminski.
"Streets" is a compelling look at the lives of the forgotten and abandon children forced into early adulthood combined competently with gripping psycho-killer action. The violence is superb Corman-esquire exploitation with a nice amount of gore, mostly due to the killer's use of a special gun capable of blasting material into oblivion. However one of the more violent executions is entirely off screen accompanied by a descriptively muffled bang.
The performances are convincing and Katt Shea's direction is outstanding. There are many inventive sequences that utilize techniques that are often misused by others. There is a first-rate use of off screen sound and dialogue, especially Bob's rants, plus a gorgeous temporal ellipsis that brings the audience from one time to the next within the same space. When watching this I was struck how the image of the motorcycle cop hunting down the innocence of a child is something that we've assigned almost icon status to the villain in Terminator 2, however this film demonstrated that same notion of a symbol of protection and justice twisted into the complete opposite -and a couple years before James Cameron's version.
This film is so underrated why is it not on DVD???