plamya-1
Entrou em out. de 2005
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações40
Classificação de plamya-1
I just saw this film at a Jewish film festival, and found it very thought-provoking and emotionally disquieting-- which I mean in a GOOD sense. I am neither Catholic nor Jewish, and so when I saw that the French title, "Le Metis de Dieu" points to a more universal phenomenon than the English title "The Jewish Cardinal," my cinephile self had more reason to regret the difficulty of procuring a broader distribution.
The psychological, historical, cultural, and philosophical complexities of this make the 90- something minute running time something of a marvel, and indeed leave the viewer wanting more, while already feeling treated to an experience that goes far beyond the genre of "biopic," or "docudrama" would lead one to expect. The eccentric, often petulant man, navigating between the different cultural identities within himself while confronting the real- world challenges that history has set in his path is a full-blooded, multidimensional character and not an object of reverence.
Meanwhile, as the camera travels from Orleans to Paris to Rome to Auschwitz and returning again to scenes of childhood and family, we witness a visual feast that surpasses our "made- for-TV" expectations.
The psychological, historical, cultural, and philosophical complexities of this make the 90- something minute running time something of a marvel, and indeed leave the viewer wanting more, while already feeling treated to an experience that goes far beyond the genre of "biopic," or "docudrama" would lead one to expect. The eccentric, often petulant man, navigating between the different cultural identities within himself while confronting the real- world challenges that history has set in his path is a full-blooded, multidimensional character and not an object of reverence.
Meanwhile, as the camera travels from Orleans to Paris to Rome to Auschwitz and returning again to scenes of childhood and family, we witness a visual feast that surpasses our "made- for-TV" expectations.