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"The Summer I Turned Pretty" S3 E4 continues its compelling exploration of summer love, friendship, and the complexities of growing up. This episode is a good one, further developing the emotional landscape of its characters as they grapple with new realities and the persistent echoes of past decisions.

The narrative skillfully delves deeper into the intricacies of the central relationships, particularly the shifting dynamics between Belly, Conrad, and Jeremiah. The episode explores the consequences of their choices and the challenges of forging a future amidst unresolved feelings. It handles the emotional nuances with a sensitivity that keeps the audience invested in their individual and collective journeys.

The series maintains its signature visual appeal, with the stunning cinematography beautifully capturing the idyllic essence of Cousins Beach. The picturesque settings often serve as a poignant backdrop, highlighting the beauty and fragility of the moments unfolding between the characters.

New challenges and revelations arise, adding layers to the existing storylines and prompting characters to confront their vulnerabilities. The pacing remains well-balanced, allowing for both heartfelt conversations and moments of lightheartedness that are characteristic of the show. This ensures the narrative remains consistently engaging.

Overall, "The Summer I Turned Pretty" S3 E4 is a good and impactful installment that successfully advances the plot and deepens the emotional stakes. It continues to deliver the heartfelt drama and compelling character development that fans have come to love.

"Presence" (2024) unfortunately stakes a claim as one of the weakest horror films in recent memory. Despite its potential to deliver scares or intrigue, the movie consistently misses the mark, resulting in a largely unengaging and disappointing cinematic experience.

The film struggles significantly with its core purpose: to instill fear. It lacks effective tension building, relying on predictable and uninspired attempts at horror that rarely, if ever, land. The narrative feels disjointed and poorly developed, failing to establish a compelling storyline or to provide any meaningful stakes for its characters. This results in a narrative that quickly becomes tiresome and difficult to invest in.

The performances within the film are largely forgettable, with the cast struggling to bring life or credibility to their underdeveloped roles. The dialogue often feels clichéd or unnatural, further hindering any potential for emotional connection with the characters.

Visually and aurally, the film fails to create a captivating or frightening atmosphere. The cinematography is uninspired, and the sound design does little to enhance the sense of dread or suspense. Instead, the film often feels flat and uninventive.

Overall, "Presence" is a horror film that falls short on almost every front. Its poor execution, lack of originality, and inability to engage the audience make it a forgettable and frustrating entry in the genre.

"We Are the Flesh" (2016) is a Mexican horror film that aims to shock and provoke with its extremely graphic and disturbing visuals, pushing the boundaries of what's comfortable to watch. While the film is undeniably unique in its unsettling aesthetic, its lack of a cohesive narrative and its relentless focus on depravity ultimately make for a difficult and unengaging viewing experience for many.

The film's strength, or perhaps its most prominent feature, lies in its unflinching portrayal of extreme and grotesque imagery. It creates a suffocating atmosphere of decay and moral collapse, with the visuals often being disturbing and designed to challenge the viewer. This is not a film that shies away from discomfort, and its artistic ambition to explore the darkest corners of human nature is evident.

However, "We Are the Flesh" often prioritizes shock value over storytelling. The narrative is highly abstract and lacks a clear, discernible plot, making it challenging to follow or connect with the characters. The film's intentional ambiguity can feel more confusing than thought-provoking, leaving the audience alienated rather than immersed.

The relentless descent into depravity, while central to its artistic statement, can become monotonous without a stronger narrative anchor. The performances, while committed, serve the film's extreme vision rather than creating relatable or emotionally resonant characters.

Ultimately, "We Are the Flesh" is a film for a very specific and niche audience within the horror genre. While it's visually distinct and bravely goes where few films dare, its lack of narrative coherence and overwhelming bleakness prevent it from being a widely engaging or satisfying cinematic experience. It's more of an endurance test than an enjoyable watch.