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EJverh

Entrou em jul. de 2005
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.

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Listas5

  • Annette Bening in Uma Nova Chance Para Amar (2013)
    History Altered: Best Actress Winners (as it should have been) the '00s
    • 10 pessoas
    • Público
    • Modificado 23 de ago. de 2011
  • Jessica Lange
    History Altered: Best Actress (as it should have been) the 90s
    • 10 pessoas
    • Público
    • Modificado 23 de ago. de 2011
  • Jill Clayburgh
    History Altered: Best Actress Winners (as it should have been) the 80s
    • 10 pessoas
    • Público
    • Modificado 23 de ago. de 2011
  • Jane Fonda at an event for U (2006)
    History Altered: Best Actress Winners (as it should have been), the 70s
    • 10 pessoas
    • Público
    • Modificado 23 de ago. de 2011
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Avaliações6

Classificação de EJverh
Trágica Decisão

Trágica Decisão

6,4
8
  • 21 de fev. de 2013
  • An echo of three lonely souls

    I have loved this film ever since I first saw it, so much so that I had bought a VHS tape AND the player, as this forgotten gem is unfortunately still not available on DVD. I will not explain the plot, as the synopsis is covered rather detailed on the first page, but concentrate on the specifics. Michael Apted, from the first shot, creates a certain mood of the film which is very effective that once in, the viewer is fully engaged to the end (despite certain plot and screenplay shortcomings) and that is isolation and loneliness. And this emotion is shared by all three central characters, shaping their decisions and actions. A fitting title, as well, as we do have a three-way character development here. They all want the same things. Brian Deacon's loneliness is in his alienation and is very much a need to belong. Oliver Reed's is purely physical and Glenda shares both. All the actors are very good in their portrayals. However, Glenda Jackson's performance is what glues the whole story together. A brilliant turn, and probably her most subtle that I have seen. The silent looks that she gives are priceless. Alas, this is a forgotten gem. I don't think it will ever get a DVD release, unfortunately. But a must see, for sure. Especially if you like for those rare, character and performance driven dramas, all too rare in today's market. 8 1/2 out of 10
    Amor Profundo

    Amor Profundo

    6,2
    7
  • 5 de nov. de 2012
  • The Beauty of Weisz

    Yes, the film is depressing. Yes, it is very long (or it feels rather longer than it is). But, it is good. After viewing it, I couldn't get it out of my mind. It's utterly haunting. There are many things that were less than great in this film. But I've narrowed it down to 1: The Pacing. If this one flaw were corrected, it would have made an excellent film. But, rather than focusing on the negative, I will write about the positive aspects of this particular movie. First, the cinematography is excellent. Those ultra-saturated colors serve the film and the period which it represents very well. I've covered the editing (in the negative) but I will say that there were some surprisingly beautiful camera movements in the piece, that were noticeable, yet served the mood of the story very well. However, if you ever see this film, I would recommend it for the wonderfully subtle performance of Rachel Weisz, who has grown into one of the best actors of her generation. Everything you need to know about the way her character is feeling is not always in the dialogue, but on her mesmerizing face. Weisz makes you not necessarily relate (it is, almost always un-relatable, because of the period and the character that she is playing), but she does make you care. There is no question that this is not a film for everyone. It is slow, it is internal, but it is also worth giving it a try. I moaned and complained all the way through, but in the end, I was unable to stop thinking about it. And, that alone is a testament to its power. It slowly gets under your skin, and you won't even notice it!
    O Resgate de Harrison

    O Resgate de Harrison

    7,0
    8
  • 29 de fev. de 2012
  • MacDowell is a revelation in an excellent film

    There are very, very few films that had dared to tackle the controversial subject of wars in the former Yugoslavia and get it right. This is one of them, and done extremely well. Now, if your knowledge on the subject is limited, you may have a hard time following the politics of it. However, you shouldn't let that prevent you from viewing it; because in its core, it's actually a very basic and touching human story. It is surprisingly accurate, moving, harrowing, suspenseful and (dare I say) very entertaining. It's a work of fiction but actually based on some real and well documented incidents (the infamous, bloody invasion of Vukovar, Croatia, and the crimes committed by the Serbs against Croatian people during this time). The acting is excellent all around (Brody, Gleeson and Strathairn especially), but the real star of this film is the lovely Andie MacDowell. The actress (Four Weddings and a Funeral) who has, by some, on occasion been heavily criticized for her 'limited' acting abilities, in this film more than proves her worth. In a very difficult, dramatic role, Ms. MacDowell gives an Oscar-caliber performance that is both heartbreaking and very brave. You should check it out, even if you know nothing about this period of tragic Croatian history. See it for its remarkable story, tight editing, sweeping cinematography and superb performances by Andie MacDowell and Adrien Brody
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