Mightygill

A man and two women are on a carriage with a driver who appears to be taking them in circles. Eventually the man stops him, and whips him asking for the reasons behind his actions. Another man and woman watching from the distance shoot both men, despite recognizing the driver, tie up one woman leaving her for dead, and kidnap the other who is pregnant. The West and the Ruthless (who thought that was a good title??) takes all of these characters as well as two brothers who run a brothel and tells an interesting story surrounding this event shown out of order.

This film is pretty amateurish from top to bottom. There is some weak and wooden acting, muddy visuals on DVD, and a score that's not bad, but doesn't really fit with the film. Fortunately, the story is interesting enough to overcome some of these issues. A storyline involving a former black slave (Danny Brown, who is easily the best part of the film) and one of the brothers (Dan Fowlks) is the highlight of the story, while one involving the pregnant woman (Rebecca Gomberg) and a man trying to save her (Alexander Harris) is pretty painful with some really poor acting. The sequence also hits right when the story should be picking up steam, but instead stops it right in its tracks as the characters spend far too much time literally just standing there and talking.

Because of the design of the plot some scenes do repeat themselves as it tries to tie everything together. Everything does tie together in the end, but it happens so quickly it's almost laughable. The credits features some nice hand drawn style portraits of the actors and stay tuned for some silly outtakes post credits. The West and the Ruthless (arg!! Such a terrible title!!) is certainly far from perfect, but if you are a fan of westerns and have appreciation for something that at least tries to mix things up then this may be worth a quick look.

10/31 is an indie horror anthology partially funded by Indiegogo from the director of The Barn, the composer of the same film, and a few others with stories that are based around Halloween. The film begins with two children watching "Malvolia's Halloween Monster Marathon" where an Elvira type character introduces the audience to four shorts. First up is "The Old Hag" from Justin Seaman. Two guys arrive at an old home to shoot a promo video to help it rent out a few rooms. One guy keeps seeing a creepy looking old woman and learns about how the locals call it the Gingerbread House where apparently an old hag chokes out victims. Is he seeing things or is it all in his head?? Overall it's a fun segment with appealing leads and a decent story (3.5/5)

Up next is "Trespassers" directed by Zane Hershberger. After a disappointing movie a cute purple-haired chick takes her lame first date boyfriend to an abandoned murder house where legend has it a scarecrow appeared and possibly cursed those living there. She wants to find out the truth about what happened. This is another fun entry and features a decent synth score while the story and it's conclusion are great (3.5/5). Director John William Holt takes over for the third story called "Killing the Dance." A teen girl has to babysit her younger brother while she works Halloween night at the roller rink where things turn out horrifically wrong. This segment is a bit too long and repetitive with too many scenes of skating, but is still fun with it's retro feel, another good synth score, and ridiculous ending (3.5/5)

The last entry is easily the weakest and is the directorial debut of Rocky Gray and it's called "The Samhain Slasher". It's a bit of a jumbled mess that is probably a bit overambitious in trying to jam too much into its short run time. It's basically a cult film and slasher jammed into 20 minutes that suffers a bit from some weak CGI as well (2.5/5). Things finish up with the wraparound and while it doesn't do anything particularly memorable it's decent overall (3/5).

The budget limitations of this film definitely show sometimes, but it's all a part of the charm and it's easy to look past most of the wrinkles because of the obvious love and passion put into it all. There are so many bigger budgeted anthology films that may look cleaner and shinier, but tell the same old stale tales that we've all seen too many times. The stories here do a good job with some good old Halloween look and feel and each story feels like it's trying to do something familiar yet original. If you love horror anthologies then 10/31 is definitely worth seeking out. It doesn't and shouldn't look like Trick r Treat, but it's a small budget indie horror that both needs and deserves our support.

Additional notes: I viewed a festival version of this film for this review that is missing one segment directed by Brett DeJager (Bonejangles) titled "The Halloween Blizzard of '91" which is still going through some post-production work, but will appear in the DVD release of the film. There are still some fixes coming to the film itself too with some of the audio. I put some money towards the film during its campaign, but I am in no way associated with the film other than that.

Slashers took the world of horror movies by storm in the 1980's. At some points there were new ones coming out on a weekly basis, but by the end of the decade the sub-genre had died off almost entirely and was barely heard from for much of the next decade. In 2006 director Adam Green wanted to bring back the feeling those movies gave fans with his slasher Hatchet.

With cameos and parts going to Tony "Candyman" Todd, Kane "Jason" Hodder, and Robert "Freddy" Englund, heavy use of practical effects over computer effects and a villain who looked like an 80's type of killer, Hatchet seemed posed to take a spot alongside the best in the sub-genre. This movie tells the story of a group of people who go on a swamp tour that winds up ending badly. They end up in Victor Crowley's territory and he starts murdering them one by one, just like the classics.

Despite all this and being promoted as "old school American horror" Hatchet fails miserably at reaching it's goals and although there are far worse horror films out there there are very few that are as disappointing as this one. The problem is that many elements that made the classic slashers great are absent: there's no atmosphere, tension, creepiness, scariness or memorable soundtrack. Basically what we have is a gore-comedy, it's got the practical effects and villain of an 80's slasher but nothing else. If it resembles anything from the 80's it's more like the slashers near the end of the decade that threw away the horror elements for comedy and over the top characters.

And while the comedy works well sometimes, more often than not it doesn't. Instead of making a horror movie with humour dispersed throughout they basically wrapped kills around a comedy. What we're left with are far too many moments where the movie comes to a complete stop just to try and make the audience laugh. This works fine when it's funny but really hurts the film when it's not. Some of the characters, especially the two dumb women, are really annoying unless you love blonde joke type of humour. If you like nudity there are several shots of their breasts but everybody else may find themselves skipping ahead to where something else more interesting happens.

The special effects themselves are decent. Their goal was to avoid using CGI and in that regard the film is admirable and mostly succeeds. The practical effects are generally well done although some scenes such as the blood splashing on the trees are a bit overdone, and not really in a good way. Also, the bodies seem to come apart really easily, but it is a slasher film so realism certainly isn't expected. The kills themselves are quite well done, especially the double kill early on, and are quite bloody and gory.

Unfortunately Hatchet also has arguably one of the worst endings of any slasher. It doesn't really end, it just cuts off in the middle of the scene where Hatchet II is supposed to pick right up from. Sequel or not it is an absolutely terrible way to end the film.

Availability: Hatchet is available on both DVD and Blu-ray as a stand alone R-rated version or unrated director's cut or as a "Slasher 4 pack" with No One Lives, A Horrible Way to Die and The Alphabet Killer. All contain a good amount of bonus features such as a commentary, making of, gag reel, trailer and more.

Despite failing to deliver on the "old school American horror" that was promised, Hatchet is still a fairly enjoyable slasher film worth checking out for slasher film fans. Just don't expect it to be as good as the classics, or even quite reach the levels of later films like Scream either.