amir_rayatnazari

If you wish discover one of the most important faces of Modern Iran fine arts, this is the documentary that will learn you about Bahman Mohassess: the great sculptor/painter who lived and worked most of his life in Roma rather than in his motherland.

Mitra Farahani succeeded to turn her documentary to an attractive fiction, where chapter after chapter the spectator will familiarize with the personage. The director narrates briefly the essential points from personal life and professional career of the artist. She had not used expensive equipment and cameras, but very discreetly she entered in the privacy of the artist and broke the solitude of the old man in a pleasant way. Thanks to this confidence between the cineaste and her subject, Mohassess plays himself very naturally just like an actor; as a result the last days of his life become a touching tale in front of Farahani's camera.

The resemblance with the short story of Balzac "The unknown masterpiece" is to a certain extent comparable, as Mohassess destroyed several of his works in his life and like the Master Frenhofer dies before finishing his last chef d'oeuvre. He left the show at the right moment, so his death becomes dramatically his ultimate masterwork.

Hypothetically with a bit of chance and obviously by better management of his relationships with the international artistic Medias/ art galleries/ collectors/etc. Mohassess could have become as famous as his fellows such as Giacometti, but he preferred to remain loyal to his own style: individualist but united with human cause, philosophically pessimistic but joyful and droll in daily life, a tremendously creative artist but in an auto-destruction approach like a rebel intellectual. Undoubtedly the sad and regrettable fact is to observe how both Iranian Diaspora and domestic society were terribly indifferent during decades towards such a genius!

A friend of mine invited me to watch "Monsieur Lazhar", and very accidentally I had the chance of be a spectator of this spectacular movie. It treats delicately eternal topics beyond time and geography such as the death, immigration and education. The story narration is married with a enough dose of the humor, a deep sadness sometimes and wisdom all along the film. The wisdom is simply a well story carried out without any prejudice, having believable personages and avoiding an end with a happy ending. Also I found that the group of the kids play brilliantly like the principal actor in the role of the teacher, especially the girl and the boy in the role of Alice and Simon could both have a successful career in the cinema industry. Indeed the realistic scenario beside their excellent performance shows us how much we ignore or underestimate the comprehension of the children of our world. The fact that the story happens in Montreal was also an occasion to take advantage of the richness of this multicultural society as well the charming quebecois accent. I appreciated its implicit message that the life is maybe often hard, but it's always beautiful. I hope that we'll hear more about this lovely film in future!

It's an absolute success: Luc Besson has succeeded to bring you to the Burma through a deeply humanistic and political involved history. Then the two principal actors (Michelle Yeoh & David Thewlis) play very well their roles and let you feel their passion in the private life and their struggle for democracy and peace in the social life.

There are some similarities with another masterpiece of Besson "Leon: The Professional": both are in admiration of "courage and love". Aung San Suu Kyi like Leon is an alone hero fighting against tyranny and organized corrupted power. If the effort of Leon to protect the young innocent Mathilda made you feel sympathy for this individual, undoubtedly you will admire this brave woman her comfort herself and her family to defend the whole nation from the dictatorship of the military regime.

My wife and I really enjoyed the movie. The Parisian cinema was almost full and at the end gave the impression that the spectators were satisfied .One row ahead of us there was a senior couple, the old man asked: "darling did you like it for the second time?" The lady answered: "sure, could we come again to watch it for a third time?!"

P.S: It's a shame that she as the Myanmar leader has not provided the relevant response to the Rohingya humanitarian crisis. It is depressing to see how an earlier hero of peace, could become silence and indifferent in the treatment of its Rohingya minority, who according to the UN have suffered ethnic cleansing and violent attacks by Myanmar's military forces. The reel life is sadly more cruel than the movie!