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t-paulsm

Entrou em abr. de 2005
(The bio I didn't write - LOL!)

Spoken Word artist, poet, writer, broadcaster, storyteller, graphic designer, artist, Side Show Barker, publicist, producer, actor and emcee (whew!) T.Paul Ste. Marie is regarded as one of Vancouvers most catalytic facilitators of the Spoken Word artform.

His "lowbrow" cigar box and old school tattoo infuenced artwork is coveted by collectors from Canada and the US. As an emcee, he has shared the stage and/or screen with everyone from Billy Bragg, Leslie Nielson, Timothy Hutton, Shane Koyczan, Elvis Gold, to an 84 yeard old drag queen named "Lucious".

T.Paul is also the creator of the multiple award winning THUNDERING WORD HEARD, Vancouver's only spoken word/music fusion weekly open mic series (evry Sunday - 8PM - Cafe Montmartre - 4362 Main St., Van. @ 28th). He feels fortunate to be workshopping and performing his spoken word & poetry in schools across B.C., encouraging students to “expand on their vocabularies, forming a mental constabulary, arresting ignorance at hand - building bridges of wisdom over the dull beige schism torn by our sitcom mentalities."

His verbiage has played out on stages from Vancouver to Edmonton to Toronto. He has been featured on Zed TV and CBC radio . His most notorious move to date was the nationally publicized debate between he and Canada’s Poet Laureate, George Bowering, on the validity of performance poetry as an artform – the general consensus? Performance Poets – 1, the Once-Were-Rebels – 0!

As a freelance broadcaster,he hosted a CBC television pilot series on video poetry and spoken word., “Spoken Heard”, featuring the likes of Sheri D. Wilson, Gord Downie, Leslie Nielsen and more.


T.Paul also works as one of the BC correspondents for CITY TV Toronto’s BOOK TELEVISION, which finds him hosting, producing, writing and directing each segment for the Daniel Richler-produced station.

The years 2002 and 2003 had T.Paul producing & performing on stages for the Vancouver Folk Festival, the Vancouver Storytelling Festival and the Fringe Festival (BROKEN WORD-a free flow evening with DANIEL PACKARD).

As a character actor, he has over ¼ of a century of experience! His Toronto days had him on stage with the “Q-Art Theatre Co-op” under the artistic direction of Gabor Zsigovics. There, he honed all of the angles of theatre craft from stage manager, set decorator, publicist, to, of course actor in such plays as “Twelve Angry Men”, “The Accidental Death of an Anarchist”, “Medea” and more.

Once in Vancouver, T.Paul found himself in the cast of the multiple award winning, and Vancouver’s longest running smash-hit comedy, “Tony’n Tina’s Wedding” portraying a series of eight characters over a five year span. One night, he would be Sal Antonnucci, the sleazy yet oddly charming wedding photographer, then Donnie Dulce the suave loungy wedding singer, on through to Timmy Sullivan the overtly gay wedding videographer. His favorite, however, was Sal!

He is a collector of sideshow curios, old poster art, strange and wonderful toys, hats, vintage clothing from the 40's and 50's, books galore, and anything related to gambling and games dice!

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Avaliações12

Classificação de t-paulsm
Sob o Domínio do Mal

Sob o Domínio do Mal

6,6
7
  • 16 de fev. de 2006
  • Normally I'd shun a remake of a masterpiece...

    Here is my usual pat statement reserved for any remake attempts:

    NO MORE REMAKES OF FLAWLESS MASTERPIECES!!!! Enough already, wouldn't we all agree? The old adage "Why fix it if it ain't broke" rings loud in my ears every time I hear of yet ANOTHER remake, bad or good, being done. The worst of this trend these days are the old TV shows and cartoons being made into summer popcorn flicks. Pap, crap, and phooey! The Hollywood money machine knows that it can run a safe bet when rolling the dice with a remake. Inevitably people will go and see these things, though 99% of the time I do not for the life of me know why. It's guaranteed money in the bank, and the public keeps being suckered (or is stupid enough) to buy into it! There are many brilliant NEW screenplays out there and not enough producers and studios with the stones big enough to take risks. I hate that.

    *ABOUT THE "NEW" MANCHURIAN CANDIDATE" - I was duly impressed by the updating of this film, by the change of "Manchurian" now being in reference to a major corporation creating a "dummy" to take the presidency - something which is happening today already! It is as if Demme, with the blessings of Sinatra (and Sinatra's daughter, the film's producer) saw a great film & script and his real conviction of how this story would play out today was an important story which he wished to convey to the audience. This did not read as a film being remade simply for financial gain by any means. This , along with its brilliant cats, its fantastic direction, its remodeled story, made this one of the few remakes I applaud!

    T.Paul
    Curtis's Charm

    Curtis's Charm

    6,5
    10
  • 4 de dez. de 2005
  • A fantastic example of great Canadian film-making!

    Aside from this being a superlative example of Canadian film-making at its best, this is also, in my opinion, one of the finest movies ever made about the lives of the drug addicted.

    Shot in grainy black & white in and around Toronto's grittier areas, the film's director creates a gritty backdrop for what is, ultimately, a comedic story about one friend helping another through their crack-induced paranoia, all while facing his own past demons in the process.

    One of Canada's greatest actors, Callum Kieth Rennie, plays the mellow, now in recovery junkie character of "Jim" (ultimately portraying Jim Carroll, NYC based poet, most famous for books like "The Basketball Diaries", his role in Andy Wharhols Factory scene, junkie-culture writer, and so on...) off of Maurice Dean Wint's fast-paced, hyper-paranoid, cracked-out "Curtis." The movie uses many voice over tracks of Jim's thoughts wonderfully, none of them intrusive, all in context, and all adding to rather than distracting from the story's content.

    Director John L'Ecuyer's film-making style is concise, clear, and real, without being overly-dramatic or heavy (considering the subject matter). His beautiful use of old black & white footage of Santeria/Voudon dance rituals during the opening of the film is fantastic, as is the positive portrayal of voudon charms and their healing powers (whether merely psychologically healing or real - no matter) is a welcomed breath of fresh air in a world filled with films casting inaccurate and negative views on a benevolent, much-misrepresented, belief system.

    For anyone who wants a movie that represents drug culture in a non-hyped-up, down to earth way, "Curtis's Charm" is for you!

    ~T.Paul
    Coração Satânico

    Coração Satânico

    7,2
    7
  • 3 de dez. de 2005
  • Almost 20 years later...

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