Supergrass
Entrou em mai. de 2005
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Selos2
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Avaliações9
Classificação de Supergrass
after an amazing first season, comparable to Father Ted's esteemed run, the IT Crowd quickly became one of my favorite shows. The second season started off well (& most unPC), & then it went to heck from there. The second seasons didn't elicit one laugh out of me.
I hope the 3rd season improves - or I'm back to watching Father Ted reruns & season 1 of the IT Crowd.
Note: my 10 out of 10 is for the first season. I'd give 1/2 star for the second season.
On a random note, Moss was sitting at my table at a restaurant in Chinatown in NYC.
I hope the 3rd season improves - or I'm back to watching Father Ted reruns & season 1 of the IT Crowd.
Note: my 10 out of 10 is for the first season. I'd give 1/2 star for the second season.
On a random note, Moss was sitting at my table at a restaurant in Chinatown in NYC.
my problems with the film: (1) character design:the villains were laughable. the porcupine fellow and the 2 new female recruits elicited muffled laughs from the audience i caught the film with; (2) script: the severe deviation from the comic plot line was unbearable. i mean, artistic license in the cinema is fine, but x3 does to the x-men what demi moore did to the scarlett letter. my point: why kill certain critical characters? to bring a level of gravitas to an already goofy film? i mean, this is a comic book adaptation, not Citizen Kane. (3) direction: nothing special here. it seems like the current director just rehashed the previous director's style (much like he did in "red dragon") w/o adding anything interesting. most of the action is silly and pedestrian. i was at least expecting some exciting good ole American movie violence. it might be better to spend your 10 bucks on singer's superman instead of this P.O.S.*
*Piece of Sh*t
*Piece of Sh*t
Transvestites, geek men biting off chicken heads, classy blues musicians, and crazed men with guns form the backbone of this delightful documentary look at the "Southern Hipsters" of louisiana and mississippi.
the film does not judge its motley crew of vivid characters, thus allowing the "cast" to openly reveal themselves on screen. the southern brand of 70s hipsters seem oddly drugged out as they bellow to the camera and preen their wares for all to see. interestingly, eggleston's choice of a primitive sony camcorder lends an odd glow to the images on screen, thus creating a surrealistic feel to the entire piece.
while the film is naturally a bit slow at points, the ending makes up for it all: a drunken drugged out pimp w/ his pistol plays Russian roulette while bizarre noise rock drones from a guitar somewhere in the background.
the film does not judge its motley crew of vivid characters, thus allowing the "cast" to openly reveal themselves on screen. the southern brand of 70s hipsters seem oddly drugged out as they bellow to the camera and preen their wares for all to see. interestingly, eggleston's choice of a primitive sony camcorder lends an odd glow to the images on screen, thus creating a surrealistic feel to the entire piece.
while the film is naturally a bit slow at points, the ending makes up for it all: a drunken drugged out pimp w/ his pistol plays Russian roulette while bizarre noise rock drones from a guitar somewhere in the background.