fionastaun
Entrou em mar. de 2013
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Selos3
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Avaliações84
Classificação de fionastaun
The weakest link is the very grizzly looking Harrison Ford. Romance is not in his soul or his eyes. And it drags the movie down to late-night YouTube viewing.
However, an Alain Delon or a gorgeous dark-haired heart throb was deserved for this beautiful story.
The film sweetly captured the pain rising up from the drowned couple as they broke their spouses' hearts. Yet Harrison Ford is stiff and sulky as the beautiful hurt wife brings her betrayal with sadness.
The French understand layering pain and passion into a delicate journey, but this has tired sneakers plowing through until the blanche ending.
However, an Alain Delon or a gorgeous dark-haired heart throb was deserved for this beautiful story.
The film sweetly captured the pain rising up from the drowned couple as they broke their spouses' hearts. Yet Harrison Ford is stiff and sulky as the beautiful hurt wife brings her betrayal with sadness.
The French understand layering pain and passion into a delicate journey, but this has tired sneakers plowing through until the blanche ending.
The main thing to capture attention in this uneven flat-pack is the very on-budget wigs. Obviously no budget was allowed and back costume lots were raided.
First up is Nicole Kidman's wig. It turns in a very rigid performance around the dry centre part, and bobs very unevenly around the halfway curls as the tension increases. It changes colour sometimes to add intrigue, but generally remains quite washed out. But wait there's more wiggery to come ... all bad ...
There's a frightening appearance by a dense black wig that speaks appalling French. Masses of dark brooding locks allow the wearer to peer through and deliver random threats.
There's droopy ones, red-haired terrible cut ones and wibbly wobbly ones. At least they are something to follow.
First up is Nicole Kidman's wig. It turns in a very rigid performance around the dry centre part, and bobs very unevenly around the halfway curls as the tension increases. It changes colour sometimes to add intrigue, but generally remains quite washed out. But wait there's more wiggery to come ... all bad ...
There's a frightening appearance by a dense black wig that speaks appalling French. Masses of dark brooding locks allow the wearer to peer through and deliver random threats.
There's droopy ones, red-haired terrible cut ones and wibbly wobbly ones. At least they are something to follow.
The Man with No Name (1953) was a perfect adaptation of the book.
This time round it needed to be even more tense and spectacular to surpass it.
However, despite a good cast, it was foggy like pea-soup.
Colin Firth must have taken this when he was feeling sad or something. He, surprisingly, is the weakest link and casts a stuffy pall over the whole film. He sleepwalks through and there's very little of his winsome charm to be seen.
The token love story is shocking and hardly gets off the ground. Unfortunately Firth's stilted acting blocks the needed fire to create a wartime romance bending under time and danger.
Watch the original and wonder what could have been.
This time round it needed to be even more tense and spectacular to surpass it.
However, despite a good cast, it was foggy like pea-soup.
Colin Firth must have taken this when he was feeling sad or something. He, surprisingly, is the weakest link and casts a stuffy pall over the whole film. He sleepwalks through and there's very little of his winsome charm to be seen.
The token love story is shocking and hardly gets off the ground. Unfortunately Firth's stilted acting blocks the needed fire to create a wartime romance bending under time and danger.
Watch the original and wonder what could have been.