andrea_ordonez
Entrou em set. de 2004
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
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Avaliações1
Classificação de andrea_ordonez
In case you are not familiar, Sebastian's first big movie was Ratas, Ratones y Rateros. That was a great movie, it showed a side of Ecuador that hadn't been explores or showed before. He had the magic of showing a probably not unique story in a unique way, a Latin and Ecuadorian way.
In Cronicas, he does this and more. First, it shows a reality that may even be unknown for some Ecuadorian. It escapes from big cities and nice stories towards the forgotten towns that are only remembered for unethical journalism or plain mockery. Second, now it is not just a story showing themes particular to a Latin audience but applicable and important for viewers anywhere: masks and the true self, the blurry gray region between good and bad, the relevance of regret... and more.
One friend told me, before watching the movie: You will not see TV the same way again. In many ways it is true, Cronicas takes you to the untold and un"spelled-out" stories behind the fractioned images in TV.
I am looking forward to Sebastian's next movie.
In Cronicas, he does this and more. First, it shows a reality that may even be unknown for some Ecuadorian. It escapes from big cities and nice stories towards the forgotten towns that are only remembered for unethical journalism or plain mockery. Second, now it is not just a story showing themes particular to a Latin audience but applicable and important for viewers anywhere: masks and the true self, the blurry gray region between good and bad, the relevance of regret... and more.
One friend told me, before watching the movie: You will not see TV the same way again. In many ways it is true, Cronicas takes you to the untold and un"spelled-out" stories behind the fractioned images in TV.
I am looking forward to Sebastian's next movie.