Lmiklowitz
Entrou em fev. de 2005
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Selos3
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Classificação de Lmiklowitz
For those who gripe that there isn't more history of other wars or more about the Arabs, remember the title: Golda. This is a story about the 75-year-old prime minister trying to stay alive as were the thousands of "boys" who fell in battle. For a small country of almost 3.7 million residents, almost 2,700 deaths touched almost every family.
Helen Mirre, shows us the pain of her character who struggled to stay alive going for late-night secret cobalt treatments for cancer as she is fueled by sheer willpower to lead a war making life-and-death decisions with conflicting opinions from her advisors. As the first and so far only woman in that office, she doesn't get ministers to stand when she enters the room as they would for a male. She.heads a troupe of many fine actors. Her loyal personal assistant Lou Kaddar is played with conspicuous understatement by Camille Cottin. Liev Schreiber sounds like US Secretary of State Henry Kissinger, who still lives at this writing at age 100 on May.27, but doesn't look like him.
The audio the prime monster and military leaders hear of the battle scenes are poignant and tragic. Golda Barrie's a small notebook where she posts casualty figures. She hides her compassion when she ruthlessly threatens Kissenger with making for Egypt "an army of widows and otphans" if Israel can't get a list of its dead and imprisoned Israelis and replacement of fighter jets and tanks.
While Director. Guy Nattiv is Israeli, he doesn't soft-pedal the drastic damage the Egyptians did in overwhelming Israeli forces, killing and imprisoning soldiers and destroying most of its fighter jets and tanks. The Egyptians crossed the Suez Canal, and were in range of entering the major city of Tel Aviv. He also recounts how Israeli tanks and troops crossed the Suez on pontoons to capture Cairo, as Egyptians had crossed north into the Sinai peninsula, but were ambushed by Egyptian troops that stayed behind. The war ended 19 days after Egypt's preemptive strike the afternoon before the high holiday of Yom Kippur as Kissinger mediated a peace treaty between Egyptt and Israel that returned in exchange for no more warfare the Sinai peninsula to Egypt and the Golan. Heights to Syria, two areas Israel seized for defense during the 1967 War.
Golda took the blame for not preparing better for the 1973 attack even though Fefende Minister Moshe Dayan (with the eye patch) denied vehemently that an attack was imminent. Her Mapai party likely would have lost their majority if Dayan had resigned. She says she will grieve the deaths until her dying day and resigns in 1974. Despite her chain smoking prodigious amounts of cigarettes, even during radiation treatment and taking a break from her oxygen mask. It's amazing she lasted until December, 1978 when she was 80 years.
Helen Mirre, shows us the pain of her character who struggled to stay alive going for late-night secret cobalt treatments for cancer as she is fueled by sheer willpower to lead a war making life-and-death decisions with conflicting opinions from her advisors. As the first and so far only woman in that office, she doesn't get ministers to stand when she enters the room as they would for a male. She.heads a troupe of many fine actors. Her loyal personal assistant Lou Kaddar is played with conspicuous understatement by Camille Cottin. Liev Schreiber sounds like US Secretary of State Henry Kissinger, who still lives at this writing at age 100 on May.27, but doesn't look like him.
The audio the prime monster and military leaders hear of the battle scenes are poignant and tragic. Golda Barrie's a small notebook where she posts casualty figures. She hides her compassion when she ruthlessly threatens Kissenger with making for Egypt "an army of widows and otphans" if Israel can't get a list of its dead and imprisoned Israelis and replacement of fighter jets and tanks.
While Director. Guy Nattiv is Israeli, he doesn't soft-pedal the drastic damage the Egyptians did in overwhelming Israeli forces, killing and imprisoning soldiers and destroying most of its fighter jets and tanks. The Egyptians crossed the Suez Canal, and were in range of entering the major city of Tel Aviv. He also recounts how Israeli tanks and troops crossed the Suez on pontoons to capture Cairo, as Egyptians had crossed north into the Sinai peninsula, but were ambushed by Egyptian troops that stayed behind. The war ended 19 days after Egypt's preemptive strike the afternoon before the high holiday of Yom Kippur as Kissinger mediated a peace treaty between Egyptt and Israel that returned in exchange for no more warfare the Sinai peninsula to Egypt and the Golan. Heights to Syria, two areas Israel seized for defense during the 1967 War.
Golda took the blame for not preparing better for the 1973 attack even though Fefende Minister Moshe Dayan (with the eye patch) denied vehemently that an attack was imminent. Her Mapai party likely would have lost their majority if Dayan had resigned. She says she will grieve the deaths until her dying day and resigns in 1974. Despite her chain smoking prodigious amounts of cigarettes, even during radiation treatment and taking a break from her oxygen mask. It's amazing she lasted until December, 1978 when she was 80 years.
Marion Cottillard as the "The Little Sparrow" (La Mome) is the main reason to see this film about the short and tempestuous life of Edith Piaf.
The movie is not as dramatic as Piaf's life. Born in December 19, 1915, She sang in the streets of Belleville district of Paris, following the footsteps of her mother. She married at 17 and had a daughter, who succumbed to meningitis two years later. Accounts portrayed her as a dutiful mother despite her trying to build a singing career on the streets. Soon Louis Leple'e discovered her strong voice as she sang on the street in the Pigalle district and booked her in an elegant cabaret on the Champs Elysee Boulevard, La Gerny. He gave her the nickname of La Mome. Then Leple'e was murdered.
A new agent, Raymond Asso, and other husbands and lovers followed. She attracted talented singers, actors and songwriters. She was a devoted friend who put her own career on hold to mentor young singers like Yves Montand, her lover, and Charles Azvanour. Marlene Dietrich was a close friend. Piaf called world boxing champion Marcel Cerdant the love of her life, although they could not marry because he had a wife and three children. He perished in a plane crash in October, 1949. She investigated spiritualism and mediums to communicate with him.
Despite her addiction to morphine for pain and alcohol, liver disease, and severe arthritis compounded by two car crashes, Piaf returned to the stage in 1955 at the Olympia in Paris and Carnegie Hall in New York, where she was the first variety singer to appear at the classic-music venue.
It is not the script that is melodramatic, but Piaf's life. Nonetheless she remained positive with her lifelong love and generosity for people, her religious faith, and her devotion to music. She passed at 47, leaving a very worn body.
Cotilliard portrays a shy, gamine singer to a severely debilitated woman who can barely walk, shaving her hairline and her eyebrows. Her lip-synching is very realistic. She dominated the movie. The story line zig zags with way too many flashbacks. Fortunately dates in supra titles help.
The movie is not as dramatic as Piaf's life. Born in December 19, 1915, She sang in the streets of Belleville district of Paris, following the footsteps of her mother. She married at 17 and had a daughter, who succumbed to meningitis two years later. Accounts portrayed her as a dutiful mother despite her trying to build a singing career on the streets. Soon Louis Leple'e discovered her strong voice as she sang on the street in the Pigalle district and booked her in an elegant cabaret on the Champs Elysee Boulevard, La Gerny. He gave her the nickname of La Mome. Then Leple'e was murdered.
A new agent, Raymond Asso, and other husbands and lovers followed. She attracted talented singers, actors and songwriters. She was a devoted friend who put her own career on hold to mentor young singers like Yves Montand, her lover, and Charles Azvanour. Marlene Dietrich was a close friend. Piaf called world boxing champion Marcel Cerdant the love of her life, although they could not marry because he had a wife and three children. He perished in a plane crash in October, 1949. She investigated spiritualism and mediums to communicate with him.
Despite her addiction to morphine for pain and alcohol, liver disease, and severe arthritis compounded by two car crashes, Piaf returned to the stage in 1955 at the Olympia in Paris and Carnegie Hall in New York, where she was the first variety singer to appear at the classic-music venue.
It is not the script that is melodramatic, but Piaf's life. Nonetheless she remained positive with her lifelong love and generosity for people, her religious faith, and her devotion to music. She passed at 47, leaving a very worn body.
Cotilliard portrays a shy, gamine singer to a severely debilitated woman who can barely walk, shaving her hairline and her eyebrows. Her lip-synching is very realistic. She dominated the movie. The story line zig zags with way too many flashbacks. Fortunately dates in supra titles help.