celtickevin
Entrou em jan. de 2005
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
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Avaliações1
Classificação de celtickevin
Hands down, Sondra Lockes best performance.So then,why does this film need all the over the top violence? It does so because most men won't want to admit they like a love story, or go to the movies to see one. This movie is a top rate love story, from beginning to end. What possibly could this movie have in common with Fight Club,,or even As Good as it Gets? In Fight Club, Ed Norton meets a girl that he obviously can not handle , so he reinvents himself. Same with Ben Shockley. He meets his match, so he must act quickly, making up a story about snakes at the cave. He then thinks on his feet, and acquires himself a bike, impressing the girl and cementing their alliance. Jack Nicholson breaks down to Helen Hunt and claims "You make me want to be a better man".Estwood starts saying please, and and emotes a deep trust in his counterpart; He realizes he must soften up a little to keep the lady around.He does. Shockley isn't some phony Top Gun hero who loses the girl, he's a loser who does what he has to get the woman in love with him, and it works, this is his only chance at love.
This is Lockes best film. Is it because of the acting or is this Lockes personality? She does it well enough where you honestly believe she is ad libbing at least half of her lines, pulling them off the top of her tongue. She sizzles, oozing sex in the back seat of the cop car. You honestly believe she is so used to verbal abuse that she sits there and takes the insults. She is just playing possum, lying in wait. She takes her turn, and delivers a knockout counter-punch to the constable,forcing his mind to admit that he is just a sleazeball flunkie. What is best, is that nothing but honesty and cold reality come out of her mouth. Eastwood accepts the truth, and lives. The constable refuses, and dies. Locke is the anti-feminazi. She saves her mans life, and immediately wants to go back to being a real woman, in his arms.This movie deserves a ten, because the action scenes are just there so people can handle all of the raw truth in the movie. A must buy.
This is Lockes best film. Is it because of the acting or is this Lockes personality? She does it well enough where you honestly believe she is ad libbing at least half of her lines, pulling them off the top of her tongue. She sizzles, oozing sex in the back seat of the cop car. You honestly believe she is so used to verbal abuse that she sits there and takes the insults. She is just playing possum, lying in wait. She takes her turn, and delivers a knockout counter-punch to the constable,forcing his mind to admit that he is just a sleazeball flunkie. What is best, is that nothing but honesty and cold reality come out of her mouth. Eastwood accepts the truth, and lives. The constable refuses, and dies. Locke is the anti-feminazi. She saves her mans life, and immediately wants to go back to being a real woman, in his arms.This movie deserves a ten, because the action scenes are just there so people can handle all of the raw truth in the movie. A must buy.