rahulrkale

A gripping plot especially for a old movie, the plot leverages on the characteristics of Danny's role in order to justify the reasons behind his killing. Danny's acting is stupendous and over-whelming, so as to generate enough hatred by the audience for his role and at the same time develop awe for his acting. The dialogues spoken by Danny are so powerful that literally create a shaken and threatening feeling. The cool as cucumber and always helpful and cordial Navin Nischal cushions the plot very well. Deven Verma's very little cameo also adds a tinge of humour to the overall serious movie. The episode of killing is described very intriguingly with crafty usage of collectivism of the environmental noises, shooting noise and the regular habit of Danny to shoot at birds. The movie mentions of suspicions of killing towards many salient roles, by convincingly justifying the supposed reasons behind the killing by every suspect. The highlighting theme was the constant anger and wrath of the daunting Danny, which is nicely spread throughout the movie, with his physical disabilities in no way alleviating his nature even slightly.

The title song is wonderful and helps in building up on the suspense plot, but my special appreciation for the synergy between how the movie starts and how the movie ends. And special mention of the fact that the movie's plot is highly intelligent, which forms the foundation for this to be a good movie.

This is a very tough love story, where there is no conventional explicit exhibition of love and romance, but a feeling of love which is excessively controlled, endured and sacrificed for a vital promise. It portrays a woman who lives most portion of her life, facing the typical difficulties which a widow has to face in orthodoxies and on the other hand, to aggravate her life, is perplexed at the mysterious and taciturn behaviour of a man whom she loves. What a wrath of feelings she would have undergone to control her emotions, and to be restless towards the never-to-end silence and towards the absence of justification of various actions which her brother-in-law carries out. The brother-in-law, the other central character takes an oath for a split second, but endures the ramifications of it for several years, with a conscious guilt of not expressing his feelings towards a woman, and also exhibiting sheer toughness and protection, which is difficult to be perceived and interpreted by the community. Sheer genius of how Sachin Khedekar's character Hari perceives the death of the woman Uma in those final delicate moments, only so that the oath is not broken. The supposed modernist who turns out to be deceptively orthodox and superstitious and selfless at the more larger and better causes of virtues and rituals. A movie, which keeps one disturbed after its ending.