belisanda

First of all let me clarify one thing: I am not a big fan of the original film or of the whole genre. That being said, there is something seriously wrong when something made on a low budget in a poor country in 1942 under an authoritarian regime (which had a strong Censorship Board - that was not an issue for films like the 1942 original as most of the people involved were strong supporters of said regime) still manages to amuse and entertain here and there while the 2015 loosely based remake has descended to the lowest for of humor and looks like a soap opera, mostly because all those involved in making it have know experience of making movies or if one or two do they show a complete disregard to the medium.Not all films appealing to the masses are this crass. Most do treat the audience as a bunch of teenagers which is tells us more about society in general than about any specific studio, producer or actor. This "film" is on a different scale of disaster. It's not funny, it's offensively unfunny. I might add racist and misogynist and homophobic but those "isms" are there as background social context so that Lisbon (and Portugal in general) appears to have been stuck in the first half of the last century only with product- placement and gadgetry. I have not seen anything quite so dumb in my life so the announcement that as soon as this runs its course big screen-wise it'll be shown as a TV miniseries is no surprise but even for TV this simply too bad. I have no doubt many people will like it. Much as many.. well, some people like Vietnamese soap operas and Nazi-era German musicals (both of which have better production values and at least some kind of plot - they also, like the 1942 original of this have some ideological agenda subtle or blunt, the only agenda I see here is.. none). I'd give this 2 if I had fond memories of the 1942 film. I don't.

Love the premise! Love the inventive way the first episodes set it up and love Colin & most of the cast. Was sorely disappointed at how it kept failing to deliver on that amazing beginning. I still have high hopes of reconciling myself with the est of the show but it's only Colin that's keeping me watching it and Superb as he is in this (though even more superb in "More Tales of the City") I think it is very risky to start up with a great concept and clever dialogue and then go on to rely solely on the actors' performances. Sometimes you can get away with it, sometime it turns ugly. In this case it just turns predictable, run-of-the-mill and more than often boring. 9 out of 10 for what it might have been, 3 out of 10 for the last episodes I've seen so.. 6/10

I admit that some notorious criminals may hold a certain fascination to viewers of reality shows. I am even sufficiently endowed with a huge circle of friends of many 'preferences in entertainment' to grant you that even minor criminals (still murderous but less stylish, say) can grab your attention for a few episodes. I am far more dubious about people whose only claim to notoriety is being the wife / daughter / grandson of some petty hit-man. It's not their ignorance, cursing, rudeness or immense self-indulgence that puts me off. I can endure that if the people in question display ANY kind of talent, interesting quirkiness or even clinical schizophrenia. I cannot endure it for more than the 15 minutes I was exposed to by a not-all-that-well-meaning friend when it's a case of "Watch us! See how brainless AND rich we are. Look how it's possible to live on Blood Money and no talent whatsoever in modern America". It is idiotic but not in a funny way. And creepy but in a way that diminishes the humanity of the God knows how many victims these people founded their money, vulgarity and tastelessness upon. As a half-Italian good old fashioned communist girl I took particular offense at the implied witless remarks suggesting Italy is still ruled by the Mafia. That is only the South, so kudos for getting Naples right and Tuscany wrong. And general shame on you as to the cable A&E or "Bio." channel I saw this on. You used to be better. Not by any means good (except when borrowing British whodunits) but so much better than this purposeless, offensive yet somewhat strangely impossible-to-make-compelling farce.