golem3
Entrou em jan. de 2004
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Selos3
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Avaliações38
Classificação de golem3
There is no doubt that Serpico is the greatest cop movie made to date. I cannot imagine a production of a cop movie today that does not pay homage to this film for Serpico is like the mother of all police problem films, it is the bible which all stories fall under.
Serpico tells the tale of a perfect man (Pacino); a man who enjoys everything good in the world, and fights against the crime that he faces on a daily basis. Pacino not only faces problem at work, but at home with keeping domestic relationships. In a way, the life of a good cop is show to be existential.
The film is elegantly produced, with camera angles that reflect not an action film, but an art film with a certain ethical twang. There are countless scenes where the camera is placed in a way where the viewer can witness two or three interesting actions that relate to the environment of the film. This is unique in a film; especially in a film made in the 1970's.
There is a desolate and foreboding feeling about the New York that Serpico revels in. He enjoys his job, and the viewer enjoys seeing him enjoying it. The emotional experience is transcended when the problems that he faces are spilled offscreen, and the viewer takes the emotional baggage.
Needless to say, this isn't a movie that needs much introduction or talk through a review. I just suggest you see it.
RATING: 10/10
"The reality is that we do not wash our own laundry - it just gets dirtier."
Serpico tells the tale of a perfect man (Pacino); a man who enjoys everything good in the world, and fights against the crime that he faces on a daily basis. Pacino not only faces problem at work, but at home with keeping domestic relationships. In a way, the life of a good cop is show to be existential.
The film is elegantly produced, with camera angles that reflect not an action film, but an art film with a certain ethical twang. There are countless scenes where the camera is placed in a way where the viewer can witness two or three interesting actions that relate to the environment of the film. This is unique in a film; especially in a film made in the 1970's.
There is a desolate and foreboding feeling about the New York that Serpico revels in. He enjoys his job, and the viewer enjoys seeing him enjoying it. The emotional experience is transcended when the problems that he faces are spilled offscreen, and the viewer takes the emotional baggage.
Needless to say, this isn't a movie that needs much introduction or talk through a review. I just suggest you see it.
RATING: 10/10
"The reality is that we do not wash our own laundry - it just gets dirtier."
Movies, especially modern ones, love to show how life is interrelated no matter how untrue this is in reality. Maybe it is true, to some extent, but in Pay It Forward, the interrelatedness of life means that altruism is in all of our best interests.
Pay It Forward chronicles the life of a young boy, Trevor, and his mother (Hunt). Trevor is able to come up with a phenomenal way of solving the world's problems, assuming that he can get people to do it. The tale unfolds as a sob-story of sorts, and rapidly digresses into a personal story of domestic issues.
On the whole, the ideas are interesting. The movie itself is nothing spectacular the cinematography is so-so, and arguably it's a vignette of someone's life, aside from the fact that it is based on a novel. It is particularly great that for once a child is the smart, sagacious character of a story. Hollywood tends to have portray children as naggy and misbehaved creatures of almost another species.
The acting is top notch Spacey plays an oddball teacher who has a great ideal for his class, and Hunt plays a troubled mother who has all the good intentions. All in all, I think that you need a lot of patience to watch this movie. There are quite a bit of troubling scenes and you have to grit your teeth through them. It will probably make you a better movie watcher, though.
RATING: 8/10
"The world is a ****hole; pardon my French and ****"
"You do a good thing for three people. It has to be something really good. Then they do it to three others."
Pay It Forward chronicles the life of a young boy, Trevor, and his mother (Hunt). Trevor is able to come up with a phenomenal way of solving the world's problems, assuming that he can get people to do it. The tale unfolds as a sob-story of sorts, and rapidly digresses into a personal story of domestic issues.
On the whole, the ideas are interesting. The movie itself is nothing spectacular the cinematography is so-so, and arguably it's a vignette of someone's life, aside from the fact that it is based on a novel. It is particularly great that for once a child is the smart, sagacious character of a story. Hollywood tends to have portray children as naggy and misbehaved creatures of almost another species.
The acting is top notch Spacey plays an oddball teacher who has a great ideal for his class, and Hunt plays a troubled mother who has all the good intentions. All in all, I think that you need a lot of patience to watch this movie. There are quite a bit of troubling scenes and you have to grit your teeth through them. It will probably make you a better movie watcher, though.
RATING: 8/10
"The world is a ****hole; pardon my French and ****"
"You do a good thing for three people. It has to be something really good. Then they do it to three others."
MacPherson is a rude, childish detective. He is the main character of Laura, a film noir classic which is low on noir and far more focused on relationships. With the detective's half-hearted work, the killer of Laura will be known, but not before a lot of boring interludes and stories from past society's more abhorrent of characters. Laura is truly an unusual film for it is one of the few sub-par film noirs.
The genre of film noir is easily one of the greatest American film genres. I cannot imagine the evolution of film to what it is today without it. Laura unfortunately has been stifled with anti-climactic events and startlingly boring dialogue.
We really don't understand how MacPherson figures out a thing or two, or why he does the things he does. It's not like he is a noble character, either definitely, he does not have the refine that a Bogart character would have. In the end, Laura is probably worth seeing, if you have an hour and a half to spare.
"Dames always pull the switch on you!"
RATING: 5/10
The genre of film noir is easily one of the greatest American film genres. I cannot imagine the evolution of film to what it is today without it. Laura unfortunately has been stifled with anti-climactic events and startlingly boring dialogue.
We really don't understand how MacPherson figures out a thing or two, or why he does the things he does. It's not like he is a noble character, either definitely, he does not have the refine that a Bogart character would have. In the end, Laura is probably worth seeing, if you have an hour and a half to spare.
"Dames always pull the switch on you!"
RATING: 5/10