videomaniac
Entrou em jul. de 2004
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
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Avaliações8
Classificação de videomaniac
The original 9 1/2 weeks was a fun and sexy film that was full of life. Another 9 1/2 Weeks is almost the exact opposite of the first film and that's why so many fans of the first film were so unhappy with this one. This ain't 9 1/2 Weeks. In this one the character of John is so devastated by the loss of Elizabeth (his lover from the first film) that in the opening moments he places a gun to his head. It doesn't get any happier from there. A few scenes later he looks out his window and sees a once beautiful horse being turned into a dead one. That pretty much describes the state of John and of this sequel. It's a dark dirge of a movie with none of the joy of the first film and that's the whole point. We see John with sexual partners, including a prostitute he tries to pretend is Elizabeth, but there's zero chemistry even with the film's lead actress Angie Everhart. Elizabeth departure has left a void in John's soul and few know the dark places of a man's soul like Mickey Rourke. Just take a look at his performance in Angel Heart if you have any doubts. This time Rourke's face has become so battered from boxing that his appearance fits his character's emotional devastation perfectly and this is underscored by the film's black and blue cinematography. Rourke's John truly seems to be a man who has lost everything as he wanders from the art galleries to the dark alleys of Paris like a ghost searching for some glimpse of redemption. It's not a pretty picture and it's not supposed to be. This is film about pain, loss, and regret. It's a joyless purgatory of a film which works best as a canvas for Rourke's haunting performance as the devastated John. This is not 9 1/2 Weeks. This sequel is bleak, dark, and tragic. That's what I like about it.
Believe it or not: Fred "The Hammer" Williamson has made three Black Cobra movies. Three of 'em! Somebody else must like watching these thing if there's three of 'em (at least that's what I tell myself). Each Black Cobra flick is a little better than the one before it. These things deliver fun B movie entertainment, if you like that sort of thing, and I've had a blast watching these. There's just nothing like "The Hammer" kicking butt in Italy and the Philippines to make the world seem a like a whole lot better place on a rainy afternoon. Right from the start I knew that Black Cobra 3 was going to be fun stuff since the first scene with "The Hammer" is a real hoot. Pop some corn and take this flick for what it is: fun escapism.
Remember when you were watching the original Black Cobra and you thought to yourself "This is an okay flick but it would have really rocked if the guy who played Spider-Man on TV in the 70's was in it"? Well this happens to be your lucky day! Just give a gander to Black Cobra 2 and prepare to be knocked on your butt! Fred "The Hammer" Williamson is back and this time he's sent to another country to hang with the guy who played Spider-Man and together they battle bad guys when not hanging out with Spider-Man's creepy little slot car racing son who TALKS LIKE A GROWN WOMAN! Black Cobra and Spider-Man kick butt! What more could anybody ask for? And it's even better than the first Black Cobra (hard to believe I know)! What more can I say about Black Cobra 2? There's a Black Cobra 3 too!