ajon1

This movies follows Jewish women in their pursuit of divorce... something which seems virtually impossible in the non-secular state of Israel. The film itself gives a good picture of the gender inequalities that are manifested in the power abuse in the name of religion. Without claiming to be an expert in the Bible or the Torah, one can easily notice the massive abuse of power in the name of a higher teaching. Women having to buy their way out of marriages, women being left to raise many children by themselves, and women getting restrictions on who they can and cannot see or meet. It is all dictated by a fascist Rabbi-court, which is portrayed as a mandatory ruling institution for all Jews. One has to ask the question: What about the non-Jews of Israel? Which court decides those faiths? And what about juridical equality? The movie itself is a fairly well paced composition. Nothing out of the ordinary. The 65 minute film makes you wish for nothing more, nothing less. As a documentary it is good. It is about the message and not about production splendor. I thank Anat Zuria for giving me this valuable perspective, and it gives me all the more reason, as a man, to fight gender inequalities (and any other type of religious dogmatic behavior). Can't wait to get a hold of "Purity".

Following the mainstream theme of Korean movies at the moment, Sonimeun Wangida (The Customer is Always Right), plays on revenge and a slightly less than mediocre love story. Also the movie fails when trying to portray the subtle mood... the same mood for which the Korean cinema has become infamous lately. So what gives - why a just below average 5/10? Well the saying - "The Customer is Always Right" - comes with a twist, and the plot carrying it all the way through does it without a glitch. It is th th th... thoroughly thought through. And Ji-ru Sung playing Ahn Chang-jin does his part more than well. The story only having a few characters makes it very easy to follow and impossible not to understand. It could have used a few more characters to pull of a more complicated twist at the end... all in all a little less than average - 5/10.

The theme for this movie is quite similar to much from the same genre of danish films. But this one is probably the worst one of the lot! Movies like 'Gamle mænd i nye biler' (Old Men in New Cars), 'I Kina spiser de hunde' (In China They Eat Dogs) and 'Blinkende lygter' (Flickering Lights) are light years ahead in every aspect. This movie is a sad production which could have been made much better. One can't help wondering about that soundtrack from the HORRIBLE Swedish singer Lisa Nilsson - was her record label the only (or should we call it rightfully lonely) sponsor of this flick?!? No wonder people turn to piracy and download instead of purchase DVDs. Movies like these makes you never want to spend another cent on the corrupt Scandinavian movie industry! Get real!!

An ultra-generous 3/10 because of Bodnias acting.