SushilKBirla
Entrou em jul. de 2004
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Avaliações17
Classificação de SushilKBirla
I watched this movie over 50 years after its release - attracted by the promise of the exquisite dialogs and lyrics. I was not disappointed.
This was the first time I had seen Leena Chandavarkar. She performed very well in the different roles - singer; dancer; tutor; lover; daughter; object of sexual exploitation.
This is the first time I had seen Pradeep Kumar in this role. He too performed very well.
As I had seen Rajesh Khanna in many movies, the same mannerisms (no novelty) were not as pleasing.
Development of the father-daughter relationship (Pradeep Kumar and Leena Chandavarkar) in the movie was more impressive than the development of the romantic relationship (Rajesh Khanna and Leena Chandavarkar).
This was the first time I had seen Leena Chandavarkar. She performed very well in the different roles - singer; dancer; tutor; lover; daughter; object of sexual exploitation.
This is the first time I had seen Pradeep Kumar in this role. He too performed very well.
As I had seen Rajesh Khanna in many movies, the same mannerisms (no novelty) were not as pleasing.
Development of the father-daughter relationship (Pradeep Kumar and Leena Chandavarkar) in the movie was more impressive than the development of the romantic relationship (Rajesh Khanna and Leena Chandavarkar).
70 years after Shri 420 was released, with so much technological advancement and so much more resources available to the movie industry, I enjoyed watching Shri 420 much more than many movies of today. I enjoyed all the songs and the background score. In their time, all the songs of Shri 420 were hits. The messaging was phenomenal in these two songs back to back: (1) Mud Mud ke na theykh mud mud ke (2) O jaane wale mud ke zara dekhte jaana. The first portraying nightclub life by the high-flung vamp Maya and the second, beckoning Raj (the hero) towards an honest life, depicted by down-to-earth Vidya. The two song-scenes demonstrate the two opposing forces pulling Raj in different directions. Maya represents the greedy get-ahead-at-any-cost world. Vidya represents the downtrodden exploited world.
The hyperbole in the greed scenes conveys the message very well.
One can see the thematic pattern in Raj Kapoor's movies: AWARA, Shri 420, and later, Mera Naam Joker.
The hyperbole in the greed scenes conveys the message very well.
One can see the thematic pattern in Raj Kapoor's movies: AWARA, Shri 420, and later, Mera Naam Joker.