thisissubtitledmovies
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excerpt, full review at my location.
In late 1971, now comfortably the biggest star in Hong Kong, Bruce Lee consolidated his influence in the local film industry by forming his own production company, under which banner he would produce and direct his own starring vehicles. Way Of The Dragon was the first - and, sadly, only completed - film that he directed, in addition to writing the script, co- producing, acting and staging the fight sequences. It contains perhaps his most iconic on-screen battle, and unquestionably his most curious leading role.
A tantalising glimpse at what might have been had Bruce Lee not passed away. Not the best film he made, but the combination of stunning action with the almost disarmingly light-hearted tone of the first act make Way Of The Dragon a fascinating film to revisit.
In late 1971, now comfortably the biggest star in Hong Kong, Bruce Lee consolidated his influence in the local film industry by forming his own production company, under which banner he would produce and direct his own starring vehicles. Way Of The Dragon was the first - and, sadly, only completed - film that he directed, in addition to writing the script, co- producing, acting and staging the fight sequences. It contains perhaps his most iconic on-screen battle, and unquestionably his most curious leading role.
A tantalising glimpse at what might have been had Bruce Lee not passed away. Not the best film he made, but the combination of stunning action with the almost disarmingly light-hearted tone of the first act make Way Of The Dragon a fascinating film to revisit.
excerpt, full review at my location.
Despite being released 90 years ago, Nosferatu remains one of the most iconic and infamous horror films of all time. Back in 1922, critics described Nosferatu as a masterpiece and it continues to find new audiences with every passing year. It has been remade, parodied and even gained its own mythos with Shadow Of The Vampire. So what, exactly, makes this movie stand the test of time?
As with many silent era classics, the whole movie is now available to enjoy on YouTube, without committing an act of piracy since Nosferatu is now a public domain film. There are also countless (excuse the pun!) versions and restorations available, some of which even have new inter- titles which have changed the characters names to Dracula and Harker. So really, it has never been easier to see this incredible film – a film which changed the vampire legend and shaped the future of horror.
Despite being released 90 years ago, Nosferatu remains one of the most iconic and infamous horror films of all time. Back in 1922, critics described Nosferatu as a masterpiece and it continues to find new audiences with every passing year. It has been remade, parodied and even gained its own mythos with Shadow Of The Vampire. So what, exactly, makes this movie stand the test of time?
As with many silent era classics, the whole movie is now available to enjoy on YouTube, without committing an act of piracy since Nosferatu is now a public domain film. There are also countless (excuse the pun!) versions and restorations available, some of which even have new inter- titles which have changed the characters names to Dracula and Harker. So really, it has never been easier to see this incredible film – a film which changed the vampire legend and shaped the future of horror.
excerpt, full review at my location.
J'ai Horreur de L'amour is an entanglement of genres and ideas. It dances over crossed paths of comedy and tragedy; it casts a shadow over its ironic humour with a touch of death and homicidal madness. Director Laurence Ferreira Barbosa introduces us to her talents at portraying the eccentricities of people in this obscure take on a skewed love triangle, with protagonist Annie becoming involved in various relationships which all have sinister undertones.
J'ai Horreur de L'amour is an intriguing and honest exploration of death, madness and relationships. The subject of AIDS underpins the entire film, and yet it is not the focal point, allowing room to show off Barbosa's excellence at writing dry comedy. However, the film's potential as a serious statement remains hindered by its fantastic humour, and vice versa. J'ai Horreur de L'amour is by no means a failure; but the film as a whole doesn't quite have the power to become a masterpiece.
J'ai Horreur de L'amour is an entanglement of genres and ideas. It dances over crossed paths of comedy and tragedy; it casts a shadow over its ironic humour with a touch of death and homicidal madness. Director Laurence Ferreira Barbosa introduces us to her talents at portraying the eccentricities of people in this obscure take on a skewed love triangle, with protagonist Annie becoming involved in various relationships which all have sinister undertones.
J'ai Horreur de L'amour is an intriguing and honest exploration of death, madness and relationships. The subject of AIDS underpins the entire film, and yet it is not the focal point, allowing room to show off Barbosa's excellence at writing dry comedy. However, the film's potential as a serious statement remains hindered by its fantastic humour, and vice versa. J'ai Horreur de L'amour is by no means a failure; but the film as a whole doesn't quite have the power to become a masterpiece.