apspr

Like many other respondents, I ran across this genially goofy mystery while surfing and didn't expect to stick with it more than a few minutes. But it grabbed me from the beginning and held up almost to the end. Thanks to the person who noted that the film was shot in 21 days on a shoestring. That accounts for the gaps in the plot (like certain scenes that we expect to see but were probably never filmed). But the shoestring production makes the acting, the comic touches, and the overall unpredictability of the plot all the more impressive. The screenplay found some really ingenious things to do with these likable characters.

It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.

The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.

I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.

WOW!!

I had heard good things about this film, had liked Session 9 a lot, and will watch anything with d'Onofrio. Even so, this film completely blew me away.

It's science-fiction for adults, who prefer ideas and emotions to explosions and goofy makeup.

It's romantic dramedy at its best, with two memorable characters portrayed by highly skilled and REAL actors. In fact both Tomei and d'Onofrio are close to perfect in these roles.

It's a premise that continues to develop over the entire span of the film, never becoming predictable or plot-driven.

It offers striking supporting performances from Holland Taylor and Jose Zuniga, and a flat-out GREAT scene with Tovah Feldshuh that's driven by subtle and moving screenwriting.

It offers memorable and witty cameos from Mike McGlone and Anthony ("just call me Michael") Hall. And you gotta love the conceit of a guy who fantasizes about being A.M. Hall during sex!

From the opening shot to the end, it offers countless felicities of mise-en-scene, camera movement, framing, and editing, courtesy of Brad Anderson.

And there's a final shot that manages to be both very subtle and emotionally complex, while still seeming completely inevitable.

I even liked the loose ends that were never wrapped up!

SEE THIS FILM!