tripxyde
Entrou em abr. de 2003
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Classificação de tripxyde
Simple and typical may be what I may describe this movie. World War Z is good enough not to fall on the classification of lousy or awful. At least it does not drag; the movie is engaging and never ever slows down to cause the slightest bit of boredom. At best, it feels like what I imagine would be a perfectly well-made zombie video game adaptation. I'm sure that the movie has some intellectual or subliminal message hidden in and around the movie, or whatever message the writers want to convey. Whatever it may be, we could not really notice that since the pace of the film is fast and hyperactive. But at least it's never chaotic and messy.
On the horror aspect, it effectively does generate some screams and shouts. The scares are moderately efficient, and the zombies do indeed manage to be horrifying, even though they did not need to be extra disgusting and/or gory.
Although this may be considered as a zombie movie, it never crosses beyond its PG-13 rating. Meaning, it does not have the usual gore and violence other zombies have. Whatever violence the movie has is never focused or highlighted. It's a horror movie that may be considered "pretty safe" for a younger audience.
The problem with World War Z is that it's blown its wad by showing some of the best money shots of the movie on its trailer. The flooding stampede of zombies is the film's most impressive and unique eye candy. We've already seen fast zombies, we've also already seen extra-strong zombies (in "I Am Legend" they're not exactly zombies, but they have similarities with the zombies in this movie), but we've never seen them like this, the way World War Z presents them. On one point of view, it's refreshingly unique, on another point of view; it's a childish, over-bloated exaggeration of the concept.
But the flooding, stampeding zombies; that's the movie's one ace card. Aside from that, the movie is pretty simple horror suspense. What happens in the end is not your typical summer blockbuster climax scene; there's nothing extraordinary, like a big boss fight of some kind. With the way it was executed in the end, it felt like an indie horror movie.
But just because it has a quiet ending, it does not mean that it was a bad movie. The ending is consistent and fluid. It's not something impossible, incredible, explosive, or cartoonish. It's simple, and it makes sense that way in a manner consistent with the movie's tone. Overall, World War Z is a moderately good zombie movie; entertaining enough to be worth your money and time. But you will not be missing out on anything if you happen to skip it.
On the horror aspect, it effectively does generate some screams and shouts. The scares are moderately efficient, and the zombies do indeed manage to be horrifying, even though they did not need to be extra disgusting and/or gory.
Although this may be considered as a zombie movie, it never crosses beyond its PG-13 rating. Meaning, it does not have the usual gore and violence other zombies have. Whatever violence the movie has is never focused or highlighted. It's a horror movie that may be considered "pretty safe" for a younger audience.
The problem with World War Z is that it's blown its wad by showing some of the best money shots of the movie on its trailer. The flooding stampede of zombies is the film's most impressive and unique eye candy. We've already seen fast zombies, we've also already seen extra-strong zombies (in "I Am Legend" they're not exactly zombies, but they have similarities with the zombies in this movie), but we've never seen them like this, the way World War Z presents them. On one point of view, it's refreshingly unique, on another point of view; it's a childish, over-bloated exaggeration of the concept.
But the flooding, stampeding zombies; that's the movie's one ace card. Aside from that, the movie is pretty simple horror suspense. What happens in the end is not your typical summer blockbuster climax scene; there's nothing extraordinary, like a big boss fight of some kind. With the way it was executed in the end, it felt like an indie horror movie.
But just because it has a quiet ending, it does not mean that it was a bad movie. The ending is consistent and fluid. It's not something impossible, incredible, explosive, or cartoonish. It's simple, and it makes sense that way in a manner consistent with the movie's tone. Overall, World War Z is a moderately good zombie movie; entertaining enough to be worth your money and time. But you will not be missing out on anything if you happen to skip it.
MIRROR, MIRROR is a fantasy adventure movie adaptation of the fairy tale SNOW WHITE (AND THE SEVEN Dwarfs) It's directed by Tarsem Singh, who directed "The Cell", "The Fall" and "Immortals", and stars Lily Collins as Snow White, the ever-funny Nathan Lane, Armie Hammer, and Julia Roberts as the wickedly amusing Evil Queen.
This movie is something that has a little too many of almost everything you can get from a movie that promises pure fun and entertainment. It's got funny bandit dwarfs, evil magic, a monster that haunts the forest, and swashbuckling action. It is one of those movies where all the elements of the movie work so harmoniously. From the acting, to the lavish and pleasantly bizarre costumes, to the special effects, the concept, the story, and the direction itself. All these factors complement each other to create such an enjoyable masterpiece.
Lily Collins is so effortlessly adorable and so natural, that she does not look like she's acting at all; she just simply is cute. My favorite scenes with her is when she joined with the bandit dwarfs; I loved it when she was doing some swashbuckling action, because even though she's wielding a sword, somehow she still maintains that very princess-like poise.
Nathan Lane is ever amusing, Armie Hammer is great in playing a prince who goes through non-stereotypical circumstances, and all the dwarfs played by Mark Povinelli, Danny Woodburn, Jordan Prentice, Ronald Lee Clark, Sebastian Saraceno, Martin Klebba, and Joe Gnoffo were all hilariously amazing to watch, and they were pretty much my favorite characters in the movie.
And then there's Julia Roberts who played the evil Queen Clementianna. This time, as she plays the villain, and looks like she's deliciously enjoying every moment of it. She does give the role more than enough spice. Her hilarious wickedness, with great little twisted lines, and the degree of wit she personally delivers to the role are precious cinematic moments that make this movie so fun to watch.
That one song attached with the movie, which is being played at the end credits of the movie; I really have to say that that is a stupid song. But the movie is so good and so effective, that it got me playing that song in my head over and over again hours after the movie.
MIRROR, MIRROR's script is excellently-written; so rich with wit. Its script makes it more comedy than fairy tale. The movie preserves the essence of the original, but injects new elements to make it more timeless and interesting. Granted, there might be unexpected changes, but it all works in the context of the story, and it's not as drastic as to completely change the feel of the source material (like what they did in the other movie where they made Snow White look like an iron-clad Conan the Barbarian) The costumes are so lavish, stylish, and positively weird; it makes you feel like you are watching a music video from Bjork. The movie's genre is not centered only for one demographic, as it also has some action on it; what with the swashbuckling bandits, and the gigantic creatures sent by the Queen to kill Snow White, there are sword-fights and awesome action scenes to balance out the comedy and the fantasy.
MIRROR, MIRROR is perfectly fun-filled, and quirkily weird in a very positive manner. This is the kind of movie that can give you a big smile even hours after you've seen the movie!
This movie is something that has a little too many of almost everything you can get from a movie that promises pure fun and entertainment. It's got funny bandit dwarfs, evil magic, a monster that haunts the forest, and swashbuckling action. It is one of those movies where all the elements of the movie work so harmoniously. From the acting, to the lavish and pleasantly bizarre costumes, to the special effects, the concept, the story, and the direction itself. All these factors complement each other to create such an enjoyable masterpiece.
Lily Collins is so effortlessly adorable and so natural, that she does not look like she's acting at all; she just simply is cute. My favorite scenes with her is when she joined with the bandit dwarfs; I loved it when she was doing some swashbuckling action, because even though she's wielding a sword, somehow she still maintains that very princess-like poise.
Nathan Lane is ever amusing, Armie Hammer is great in playing a prince who goes through non-stereotypical circumstances, and all the dwarfs played by Mark Povinelli, Danny Woodburn, Jordan Prentice, Ronald Lee Clark, Sebastian Saraceno, Martin Klebba, and Joe Gnoffo were all hilariously amazing to watch, and they were pretty much my favorite characters in the movie.
And then there's Julia Roberts who played the evil Queen Clementianna. This time, as she plays the villain, and looks like she's deliciously enjoying every moment of it. She does give the role more than enough spice. Her hilarious wickedness, with great little twisted lines, and the degree of wit she personally delivers to the role are precious cinematic moments that make this movie so fun to watch.
That one song attached with the movie, which is being played at the end credits of the movie; I really have to say that that is a stupid song. But the movie is so good and so effective, that it got me playing that song in my head over and over again hours after the movie.
MIRROR, MIRROR's script is excellently-written; so rich with wit. Its script makes it more comedy than fairy tale. The movie preserves the essence of the original, but injects new elements to make it more timeless and interesting. Granted, there might be unexpected changes, but it all works in the context of the story, and it's not as drastic as to completely change the feel of the source material (like what they did in the other movie where they made Snow White look like an iron-clad Conan the Barbarian) The costumes are so lavish, stylish, and positively weird; it makes you feel like you are watching a music video from Bjork. The movie's genre is not centered only for one demographic, as it also has some action on it; what with the swashbuckling bandits, and the gigantic creatures sent by the Queen to kill Snow White, there are sword-fights and awesome action scenes to balance out the comedy and the fantasy.
MIRROR, MIRROR is perfectly fun-filled, and quirkily weird in a very positive manner. This is the kind of movie that can give you a big smile even hours after you've seen the movie!