Skaiton
Entrou em fev. de 2003
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos3
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Avaliações6
Classificação de Skaiton
Takashi Miike's remake of "The Quiet Family" is a humorous, insanely happy
example of Japanese family dynamics. Miike succeeds in crafting a film which pulls the viewer into a true relationship with the characters, from the chronically depressed father, to the perky, squeeky-clean mother, their subtly slutty
daughter and punk son, and finally the crotchety old grandfather. Personally I have never watched a film in which relationships are made so imperceptibly.
The Katakuri family bonds through the film so thoughtfully and naturally that by the end the audience is so enamoured and captivated by their lives it is
impossible not to cheer. Even the con-man Richard Segawa, a character who
could have easily become the antagonist in the film, is a hilarious and ultimately human part of the film's narrative. "Happiness of the Katakuris" comes across as a heartfelt ode to the Japanese tradition of "New Years" movies - i.e. feel-good family entertainment. Quite possibly Miike's greatest film.
example of Japanese family dynamics. Miike succeeds in crafting a film which pulls the viewer into a true relationship with the characters, from the chronically depressed father, to the perky, squeeky-clean mother, their subtly slutty
daughter and punk son, and finally the crotchety old grandfather. Personally I have never watched a film in which relationships are made so imperceptibly.
The Katakuri family bonds through the film so thoughtfully and naturally that by the end the audience is so enamoured and captivated by their lives it is
impossible not to cheer. Even the con-man Richard Segawa, a character who
could have easily become the antagonist in the film, is a hilarious and ultimately human part of the film's narrative. "Happiness of the Katakuris" comes across as a heartfelt ode to the Japanese tradition of "New Years" movies - i.e. feel-good family entertainment. Quite possibly Miike's greatest film.
Godzilla 1984 stands out as one of the best and most politically imbued Godzilla films ever made and deserves more credit for what it accomplished. Godzilla
1984 single-handedly revitalized the Godzilla franchise into the machine it is today and ushered in a new concept for what the monster could be; gone are
the kiddie children and the super-robots, the monster melees and monster
dancing - here is a return to what Godzilla truly is: and unstoppable force of nature. The original Japanese version is far superior to the butchered American cut and their political agenda is far more subtle than the American's tactless editing of the Russian nuclear launch sequence. Fans would do well to view
the original as it retains the history and dignity of the first Godzilla film.
1984 single-handedly revitalized the Godzilla franchise into the machine it is today and ushered in a new concept for what the monster could be; gone are
the kiddie children and the super-robots, the monster melees and monster
dancing - here is a return to what Godzilla truly is: and unstoppable force of nature. The original Japanese version is far superior to the butchered American cut and their political agenda is far more subtle than the American's tactless editing of the Russian nuclear launch sequence. Fans would do well to view
the original as it retains the history and dignity of the first Godzilla film.