baddman316

This isn't a bad show to say the least. The cast of the show needs some work, but I like when this show hunts down monsters whether they exist or not. However I did not like how they added in fake screams in one of the investigations, but I guess that was for entertainment purposes. Overall, it's a nice spin off to expedition unknown with josh as the big boss. I don't believe people know what they are talking about when they give this show a terrible review. Why does joshes entire crew have to be involved? I guess people don't know what a change of pace looks like.

is one of the sixties' most talked-about, volatile, controversial crime/gangster films combining comedy, terror, love, and ferocious violence. The story of Clyde's rise and self-destructive fall as an anti-authoritarian criminal gangster is clearly depicted. Both tragic outlaw figures exemplify 'innocents on the run' who cling to each other and try to function as a family. The film, with many opposing moods and shifts in tone (from serious to comical), is a cross between a gangster film, tragic-romantic traditions, a road film and buddy film, and screwball comedy. The movie simultaneously romanticizes the duo while de-mythologizing them. The relationship between these two is presented as one of the 20th century's great romances (the facts indicate that it wasn't; in fact, Bonnie and Clyde may not have been lovers).

The graduate was definitaly a favorite movie of mine. its funny but yet romantic style keeps the audience in line as to what is going to happen next. This is probably one of Dustin Hoffmans greatest early work and rise to success. it is one of the key, ground-breaking films of the late 1960s, and helped to set in motion a new era of film-making. The film is a biting satire comedy about a recent nebbish, East Coast college graduate who finds himself alienated and adrift in the shifting, social and sexual mores of the 1960s, and questioning the values of society (with its keyword "plastics"). This comedy is wonderfully crafted by director Nichols who presents a half-dozen hilarious scenes, including Hoffman escaping badgering advice by submerging himself in the family pool in scuba gear and Bancroft's sudden shift from respectable matron to predatory tease, hiking her skirts lasciviously and purring promises of smoldering sex which almost put Hoffman into a comatose state. Nichols was to declare: "I think Benjamin and Elaine will end up exactly like their parents; that's what I was trying to say in the last scene." Yet the well-to-do younger audiences of the day interpreted this sequence of blatant heroics as a wonderful act of defiance by two young people whose destinies were being manipulated by their parents.