Benjamin-Rider

ApoKalypse is a bold indie animation that dives headfirst into post-modern chaos, perfect for fans of BoJack Horseman. Created over three years by a tech industry veteran turned filmmaker, this raunchy B-movie-style zombie flick leans into its flaws with charm.

The project, which boasts a great use of grassroots animation, really relishes its own understanding of contemporary culture and cultural references, in particular eating up on that chicken shop and zombie narrative, with a side order of Covid-19 to make it extra relevant.

This is, as indie films go, quite memorable due to its unique use of animation as a medium.

For an indie film, this project is impressive given its budget, managing to create a solid ensemble cast and an engaging world built around comedic scenarios. The use of caricatures and self-aware genre references adds some charm without feeling overdone. The story follows Patrick, who must decide whether to buy a house or live in his van, a premise that balances humor with a touch of relatability. While it doesn't break new ground, it works well within its limitations, delivering a decent, light-hearted watch for fans of low-budget comedies. Would especially recommend for people who enjoy watching comedies that are character/dialogue based.

This film has a strong sense of style with a bold and consistent approach to the film's photography and editing. The performances and script are very character driven, and hint at a strong variety of themes around criminal activity, familial issues and morality.

The strongest aspect of the film, that really shines, is the film's representation of inter-personal connectivity - it is here, where the actions Jimmy makes an impact on others and how their lives are shaped.

With a tight budget, the film appears to be made for more than it was - as it boasts a strong sense of production values, some nice clean photography and a consistent tone.