mb_cine_films
Entrou em dez. de 2003
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Avaliações23
Classificação de mb_cine_films
Random Harvest is a first class romantic drama that requires Kleenex to be on-hand and one of the few credible amnesiac narratives.
Part of the film is set in the early 1920's and much creative licence has been taken so much so that no effort whatsoever has been made with wardrobe and hair to reflect the period. But with all the drama it's easy to overlook this glaring oversight. Being made at MGM and set in Great Britain the "Englishness" is laid on with a trowel to look more English than the country itself which isn't a bad thing.
Great screen chemistry between Garson and Coleman in addition to a first class supporting cast make this a not to be missed studio system period release!
Part of the film is set in the early 1920's and much creative licence has been taken so much so that no effort whatsoever has been made with wardrobe and hair to reflect the period. But with all the drama it's easy to overlook this glaring oversight. Being made at MGM and set in Great Britain the "Englishness" is laid on with a trowel to look more English than the country itself which isn't a bad thing.
Great screen chemistry between Garson and Coleman in addition to a first class supporting cast make this a not to be missed studio system period release!
I rather like this quite unusual blend of noir and romance. It opens quite uniquely after which a sweeping, rich score accompanies the opening credits which move into a minor tonality upon the producer credit in a clever hint of that this isn't going to be a quaint little film set in a small town.
A strong cast with Cotton giving an edge to his character with a past and Valli who is his redemption and Spring Byington bringing an indomitable goodness which comes across as maybe naive but her character is an optimistic survivor who in reality is a force. Esther Dale brings sassiness and a reprove in amongst the undercurrent of darkness.
A strong cast with Cotton giving an edge to his character with a past and Valli who is his redemption and Spring Byington bringing an indomitable goodness which comes across as maybe naive but her character is an optimistic survivor who in reality is a force. Esther Dale brings sassiness and a reprove in amongst the undercurrent of darkness.
I enjoyed Bros in spite of the so-called stereotypical portrayals of the characters in this film - it is a comedy. Those who are gay like myself and found the characters over the top I raise awareness to those comedies (admittedly on the small screen such as Friends and Will And Grace. Both have heterosexual characters and scripting both of which are hyper real and maybe stereotypical.
I found Bros entertaining (and romantic comedies are not up there as a favourite genre) and it managed to touch on some deeper stuff as well. It's a comedy and the sort of comedy like screwball which has elements that are hyper real. I thought it moved along nicely. I found myself having a chuckle more often than not in that very special atmosphere like no other - viewing a film in a dark cinema with a heap of other viewers which to me creates its own unique viewing experience.
I found Bros entertaining (and romantic comedies are not up there as a favourite genre) and it managed to touch on some deeper stuff as well. It's a comedy and the sort of comedy like screwball which has elements that are hyper real. I thought it moved along nicely. I found myself having a chuckle more often than not in that very special atmosphere like no other - viewing a film in a dark cinema with a heap of other viewers which to me creates its own unique viewing experience.