c-m-f
Entrou em nov. de 2011
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos3
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações78
Classificação de c-m-f
When I saw The Institute listed, I was intrigued. A Stephen King adaptation should offer mystery, tension, and a creeping sense of dread. Instead, what I got felt like a generic YA drama awkwardly dressed up in King's name.
The problems start with the cast. Aside from the sarcastic "smart kid," who at least brings a spark of wit to his scenes, the performances range from wooden to outright cringeworthy. It's a parade of C-tier acting that does nothing to sell the gravity of the story. And the tone? Pure CW. Every scene feels like it's aimed at a teenage audience more interested in angsty stares than in the moral darkness at the heart of King's work.
Pacing is another issue. By halfway through episode two, we'd seen little more than shallow character introductions and clumsy exposition. The supposed tension never arrives. Atmosphere is non-existent. Instead of pulling me into a dark psychological maze, the series kept me at arm's length with bland dialogue and a flat visual style.
We pulled the plug after 1.5 episodes. Not out of impatience, but because it was clear this wasn't going anywhere worth following. It's a shame-there's real potential in The Institute's source material, but this adaptation strips it of nuance and replaces it with hollow drama beats.
Unless you're a die-hard fan of low-stakes teen thrillers, don't waste your time. Read the book instead-it's everything this show isn't: unsettling, tense, and genuinely worth your attention.
The problems start with the cast. Aside from the sarcastic "smart kid," who at least brings a spark of wit to his scenes, the performances range from wooden to outright cringeworthy. It's a parade of C-tier acting that does nothing to sell the gravity of the story. And the tone? Pure CW. Every scene feels like it's aimed at a teenage audience more interested in angsty stares than in the moral darkness at the heart of King's work.
Pacing is another issue. By halfway through episode two, we'd seen little more than shallow character introductions and clumsy exposition. The supposed tension never arrives. Atmosphere is non-existent. Instead of pulling me into a dark psychological maze, the series kept me at arm's length with bland dialogue and a flat visual style.
We pulled the plug after 1.5 episodes. Not out of impatience, but because it was clear this wasn't going anywhere worth following. It's a shame-there's real potential in The Institute's source material, but this adaptation strips it of nuance and replaces it with hollow drama beats.
Unless you're a die-hard fan of low-stakes teen thrillers, don't waste your time. Read the book instead-it's everything this show isn't: unsettling, tense, and genuinely worth your attention.
I had high hopes for Murderbot, and in many ways it delivers. The concept of a sarcastic, self-aware SecUnit trying to navigate human interaction while secretly binge-watching soap operas is gold. The 20-30 minute episodes work perfectly for this tone-if they had stretched to an hour, I'm not sure I would have stuck around. It's just the right size for light, slightly quirky sci-fi.
That said, I can't ignore the flaws. The biggest? This is a semi-intelligent AI that hacks its own governor module and defeats far more advanced bots... yet it never tries to improve itself. No scavenging for parts, no copying superior code, no attempt to upgrade its weapons or armor. It just carries on in the same fragile, underpowered body as if nothing happened. For a machine that's supposed to be adaptive and strategic, this feels lazy and illogical.
Then there's the design choice for Murderbot's suit. You can clearly see there's a human inside-it's essentially a black wetsuit with some padding. Why not use the actor's head and build a more robotic body to sell the illusion? Right now it looks more like cosplay than a multi-million dollar production.
Despite all this, I still enjoyed the season. Murderbot's deadpan humor and awkward charm make it watchable, and the supporting cast does a solid job. But I can't shake the feeling that it's a show holding itself back-more focused on surface-level quirks than exploring the full potential of its premise.
That said, I can't ignore the flaws. The biggest? This is a semi-intelligent AI that hacks its own governor module and defeats far more advanced bots... yet it never tries to improve itself. No scavenging for parts, no copying superior code, no attempt to upgrade its weapons or armor. It just carries on in the same fragile, underpowered body as if nothing happened. For a machine that's supposed to be adaptive and strategic, this feels lazy and illogical.
Then there's the design choice for Murderbot's suit. You can clearly see there's a human inside-it's essentially a black wetsuit with some padding. Why not use the actor's head and build a more robotic body to sell the illusion? Right now it looks more like cosplay than a multi-million dollar production.
Despite all this, I still enjoyed the season. Murderbot's deadpan humor and awkward charm make it watchable, and the supporting cast does a solid job. But I can't shake the feeling that it's a show holding itself back-more focused on surface-level quirks than exploring the full potential of its premise.
Enquetes respondidas recentemente
10 pesquisas respondidas no total