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This delightful production is full of life; a vignette which cuts deep to reveal the quiet despair, sullen defeat, and ultimate triumph of a marriage which had always looked back at its shameful beginning, but finally is freed to discover itself anew.

Davis' mastery of the Brooklyn tone and colloquialisms is uncanny. Her "Aggie" is real, and sympathetic, if not admirable. Her pain from the awakening knowledge of having only lived with, but not shared life with her daughter and husband touches us where it hurts. The fix of manipulating a "big" (but unaffordable) wedding for her daughter falls flat, forcing Aggie to grapple with the real issues of her life.

Her bachelor brother "Uncle Jack" (Barry Fitzgerald) is Aggie's counterpoint, full of Blarney, enjoying every moment to its fullest, as when he playfully informs delightful Mrs. Rafferty (his future bride) of her debt in their running game of Cannasta: $24,700.

Debbie Reynolds is lovely, earnest, in character and hard-hitting as Aggie's daughter Jane, sacrificing her own wishes, and torn between the conflicting needs of her mother and father.

Borgnine is the under-appreciated, self-sacrificing husband, giving up his long held dream of owning a taxicab if it would satisfy his wife, finally pleading his own case, and finding joy in his marriage.

A compelling story with excellent acting and staging.

Knowing nothing of this film, the book or previous versions, I watched TPOZ expecting nothing but a star-studded cast. I sat enchanted throughout, undisturbed by thoughts of "carbon copy" scenes, recycled musical scores and previous performances. For me the movie was timeless, not a word nor scene wasted, Granger and Kerr were engaging lovers. The sword fight was one of the best. The only "glaring" production fault was the 300 watt shadow. Otherwise, fantastic cinematography and score, and wonderful Granger, Kerr and Mason.