[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
Imagem do perfil de Schmaxximus

Schmaxximus

Entrou em set. de 2003
Maxx is an AACTA award-winning cinematographer who has shot numerous short films, music videos and television commercials. He is currently shooting a Feature Documentary for Vertigo Films (Rolf De Heer & Molly Reynolds) "My Name is Gulpilil", and another for Southern Light Alliance (Tim White, Anna Vincent) called "Making a Mark".

Maxx's projects have screened at a variety of A-List festivals. The short film "Welcome to Iron Knob" won Best Cinematography at the St Kilda Film Festival in 2014 and was nominated for an AACTA for Best Short Film. The short film "Smashed" recently screened at Berlinale, Sitges, and the Sydney and Adelaide Film Festivals.

In 2015, Maxx received the AACTA award for Best Cinematography in a Documentary for "Sons and Mothers" (shared with Aaron Gully).

Maxx Co-Produced "Welcome to Iron Knob" alongside Alexandra Blue, and also the festival favourite film, "Walter", alongside Kirsty Stark.
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.

Selos8

Para saber como ganhar selos, acesse página de ajuda de selos.
Explore os selos

Avaliações689

Classificação de Schmaxximus
2:22 - Encontro Marcado
5,74
2:22 - Encontro Marcado
Guerra Mundial Z
7,08
Guerra Mundial Z
Estranhos Prazeres
7,28
Estranhos Prazeres
Extermínio: A Evolução
6,96
Extermínio: A Evolução
Chefes de Estado
6,45
Chefes de Estado
F1: O Filme
7,97
F1: O Filme
Diários de um Robô-Assassino
7,46
Diários de um Robô-Assassino
Mare of Easttown
8,49
Mare of Easttown
Mr. McMahon
7,79
Mr. McMahon
Missão: Impossível - O Acerto Final
7,44
Missão: Impossível - O Acerto Final
Thunderbolts*
7,27
Thunderbolts*
Tempo de Guerra
7,27
Tempo de Guerra
USS Callister
8,39
USS Callister
USS Callister: Into Infinity
8,19
USS Callister: Into Infinity
Epitaph One
8,79
Epitaph One
Dollhouse
7,79
Dollhouse
A Verdadeira Dor
7,18
A Verdadeira Dor
O Macaco
6,03
O Macaco
Wonka
6,99
Wonka
Lee
6,96
Lee
Um Completo Desconhecido
7,39
Um Completo Desconhecido
Entre Montanhas
6,77
Entre Montanhas
Gladiador II
6,55
Gladiador II
Babilônia
7,16
Babilônia
Star Trek: Seção 31
3,81
Star Trek: Seção 31

Avaliações6

Classificação de Schmaxximus
The Waiting City

The Waiting City

6,1
10
  • 21 de jun. de 2010
  • Brilliant, beautiful Film

    The Waiting City is a fantastic film.

    The story, the imagery, the music, the subtlety and depth of culture that is presented is great to see and really enjoyable. Given the films topic, it was good to see it kept a light-hearted feel and did not get too bogged down in heavy drama that most Aussie films seem too.

    It has left me with a good feeling, and I would recommend to people who want to see something a bit different from the norm. I know this is a bit of a rave review, but I really enjoyed it, and the rest of the audience seemed too as well.

    A lovely film.

    5 stars
    The Tender Hook

    The Tender Hook

    5,2
    2
  • 28 de ago. de 2008
  • Very average film - why make it?

    My friends and I have just finished seeing a preview of this new Australian film. Everyone who was in the cinema agreed, what was the point of this film? There was no good story to follow, the characters were undeveloped, and the plot seemed unmotivated. I find it bizarre that this film, that probably cost in the high millions, got funded and made. It serves no purpose to the drama community, its adds nothing to the palette of Australian cinema. It really was a waste of time creating this droll unemotional piece of work and more time really should be spent work-shopping scripts and creating good stories, not creating a mess like this. Hugo Weaving and Rose Byrne were OK but severely hampered by a bad script. Pia Miranda's character was unnecessary and abstract from the plot, and her lines were average at best. A true waste of talent. The saving grace was Geoffrey Simpson ACS' cinematography, which like most Aussie films, was superb.

    Come on guys, think about it next time please.

    4/10
    Arquivo X: Eu Quero Acreditar

    Arquivo X: Eu Quero Acreditar

    5,9
    3
  • 24 de jul. de 2008
  • This is not the X-Files

    It has the 2 main characters, but this is not the X-Files. In the peak of X, series 4 era, there was a mood in every episode, created by story, character interaction, music and the Paranormal. This film lacks this mood totally. It is very tacky and generic. Character motivations are poor and the story is very 2 dimensional. A lot of things just don't make sense and have no reason to be. The FBI agents who play along are weak and have no purpose other than to read lines and Billy Connolly seems wasted in his role. The relationship between Mulder and Scully is unbelievable, better without, leaving some trace of the angst present in the series. Another main flaw is this film is boring. The series and first film had excitement along with creepiness, this is just slow and seemingly low-budget. I am unsure what Chris Carter was thinking when he wrote and produced this, it is quite a poor film generally, there are episodes in the series far far above this effort.

    3/10
    Visualizar todas as avaliações

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.