simoney-girard-942-704290
Entrou em jan. de 2011
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Avaliações2
Classificação de simoney-girard-942-704290
Whatever your views of atheism or religion, it is incontrovertible that watching this transforms one's thinking about the self. You have value. You have worth. No matter how old or useless you feel, there is a purpose, a value to your life. You are unique, you matter. You are not just a bag o' dust - you are so, so much more. Watch with an open mind and a questioning mind.
While it is not designed to be a scientific, 100 percent proof against evolution and should not be viewed as such (it is clear the majority of these reviewers did not actually watch the film all the way through or they would have witnessed that for themselves), it does pose scientifically backed, thoughtful and respectful logic.
The scene with the older man, Richard, who believes his whole life has been a waste until that point, is exceptionally moving. He has value and worth. For the first time in his life, he hears these words. Watch the whole move before jumping to conclusions or leaping upon a populist, but ill-informed, bandwagon.
While it is not designed to be a scientific, 100 percent proof against evolution and should not be viewed as such (it is clear the majority of these reviewers did not actually watch the film all the way through or they would have witnessed that for themselves), it does pose scientifically backed, thoughtful and respectful logic.
The scene with the older man, Richard, who believes his whole life has been a waste until that point, is exceptionally moving. He has value and worth. For the first time in his life, he hears these words. Watch the whole move before jumping to conclusions or leaping upon a populist, but ill-informed, bandwagon.
I knew this film was Canadian before I looked at the box. Stilted acting, really bad cameramen, terrible cut-away shots that just looked amateur, green screen usage that was just pure college-work and ridiculous over-emphasis on the 'savages' that capture the unconvincing female lead which, had I been totally sober, may have caused me to rip out my own eyes.
As it was, I was eating rum & raisin ice cream and so managed not to self-harm, and could only put the shambolic Hammer Horror wannabes that comprised the overly-long and not at all scary 'sacrifice' scene down to the producer and director both being off sick at the time and some gaffer being called in to shoot that scene on his mum's camera, having done a good job of it at his redneck cousin's wedding. Come to think of it, that scene probably WAS his redneck cousin's wedding.
Some of the things that upset me and caused my ulcers to pulse are listed below. I had to stop delineating them after a while because there were just so many, many terrible things about this film that it made me start to cry at my desk and rock to and fro, hugging myself. It's a wonder I managed to finish this review at all.
Fake blood spurting out of a dinosaurs'neck as it flew in the sky Vampire bats chewing off an arm that, once severed, looked like a piece of purple rubber Terrible accents - passing off Inuit as Mongolians while filming in Yellowknife - awful awful casting and dreadful filmography. Unconvincing acting - Favourite Dodgy camera-work Poor Green Screen technology Bad editing The production of this entire film is just bad, bad, bad. The actors were SO one-dimensional that a blank piece of paper would look full of charisma next to them. For example, woman spends 15 minutes squealing about being tied to a scaffold (some people pay for that privilege, lady) and then when she finally gets 'rescued', is asked: 'Are you okay?'. 'Yes, just get me down', she says, sounding like a mother returning from the school run and asking for a cup of tea.
I've seen better budget films done at the London School of Arts and Media by 19-year-olds. I've had more fun watching films of my cat walking round the flat with a Christmas hat on his head, taken on my mobile while drunk.
This is typical - Canadian film-makers trying to do a big budget film on a coca-cola budget.
Had to switch it off after 1/2 an hour which was far too long a time. I will never, ever ever be able to reclaim those lost 30 minutes of my life. Even my Haagen Daaz started to taste stale. Birds started to fall dead from the sky near my flat. The Christmas tree shed all its needled. Flooding happened in Cambodia as a direct result.
In the end, my DVD player started to make a horrible noise after 30 mins and caused the DVD to pixellate, which was the best part of the whole diabolical spectacle.
As it was, I was eating rum & raisin ice cream and so managed not to self-harm, and could only put the shambolic Hammer Horror wannabes that comprised the overly-long and not at all scary 'sacrifice' scene down to the producer and director both being off sick at the time and some gaffer being called in to shoot that scene on his mum's camera, having done a good job of it at his redneck cousin's wedding. Come to think of it, that scene probably WAS his redneck cousin's wedding.
Some of the things that upset me and caused my ulcers to pulse are listed below. I had to stop delineating them after a while because there were just so many, many terrible things about this film that it made me start to cry at my desk and rock to and fro, hugging myself. It's a wonder I managed to finish this review at all.
Fake blood spurting out of a dinosaurs'neck as it flew in the sky Vampire bats chewing off an arm that, once severed, looked like a piece of purple rubber Terrible accents - passing off Inuit as Mongolians while filming in Yellowknife - awful awful casting and dreadful filmography. Unconvincing acting - Favourite Dodgy camera-work Poor Green Screen technology Bad editing The production of this entire film is just bad, bad, bad. The actors were SO one-dimensional that a blank piece of paper would look full of charisma next to them. For example, woman spends 15 minutes squealing about being tied to a scaffold (some people pay for that privilege, lady) and then when she finally gets 'rescued', is asked: 'Are you okay?'. 'Yes, just get me down', she says, sounding like a mother returning from the school run and asking for a cup of tea.
I've seen better budget films done at the London School of Arts and Media by 19-year-olds. I've had more fun watching films of my cat walking round the flat with a Christmas hat on his head, taken on my mobile while drunk.
This is typical - Canadian film-makers trying to do a big budget film on a coca-cola budget.
Had to switch it off after 1/2 an hour which was far too long a time. I will never, ever ever be able to reclaim those lost 30 minutes of my life. Even my Haagen Daaz started to taste stale. Birds started to fall dead from the sky near my flat. The Christmas tree shed all its needled. Flooding happened in Cambodia as a direct result.
In the end, my DVD player started to make a horrible noise after 30 mins and caused the DVD to pixellate, which was the best part of the whole diabolical spectacle.