kim-683
Entrou em ago. de 2006
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Classificação de kim-683
I'm going to have to make it clear from the start that I cannot do this film justice in my review. I am not skilled enough as a writer to be able to describe it and it deserves better words than I can throw together in my ham-fisted way, so what I'll try and do is explain why I like this movie so much and why and if that sounds like something that appeals to you then please go see it yourself.
The reason it's so hard to describe is because the film makers have made their own world and that world is unfamiliar. It has a diesel punk aesthetic with ecchos of Fritz Lang's Metropolis or Dark City but it's not clear how it all works - there is no dialogue and it doesn't have exposition for the sake of understanding the film. What it has are characters - the people in the movie know what's going on and they are totally relatable.
They have hopes, fears, they go on a journey. We see them navaigate their world, try to change it, try to change each other and it's magical and I have never been so engrossed in a story in my life at a cinema.
We were lucky enough to have some time at the end for a Q&A with the film makers and lead actors and it felt like we could have been sat around a camp fire with them telling the story and they'd have begun as the light fades then we find ourselves cold, damp, the fire gone out and the sun rising at they finish theri tale but nobody would have noticed any of those things... the story is just so captivating.
Will you like it? I don't know. I think people who are used to graphic novels will connect with it easier (I'm not a comic fan myself, but I appreciate how emotionally connecting an artform it is). Check out the trailer. Take a risk - it may be one of the most captivating films you ever see.
The reason it's so hard to describe is because the film makers have made their own world and that world is unfamiliar. It has a diesel punk aesthetic with ecchos of Fritz Lang's Metropolis or Dark City but it's not clear how it all works - there is no dialogue and it doesn't have exposition for the sake of understanding the film. What it has are characters - the people in the movie know what's going on and they are totally relatable.
They have hopes, fears, they go on a journey. We see them navaigate their world, try to change it, try to change each other and it's magical and I have never been so engrossed in a story in my life at a cinema.
We were lucky enough to have some time at the end for a Q&A with the film makers and lead actors and it felt like we could have been sat around a camp fire with them telling the story and they'd have begun as the light fades then we find ourselves cold, damp, the fire gone out and the sun rising at they finish theri tale but nobody would have noticed any of those things... the story is just so captivating.
Will you like it? I don't know. I think people who are used to graphic novels will connect with it easier (I'm not a comic fan myself, but I appreciate how emotionally connecting an artform it is). Check out the trailer. Take a risk - it may be one of the most captivating films you ever see.
The trailer is truly misleading. This film is much more leftfield and original than you'd expect from watching the trailer and would definitely be one the films that I've most enjoyed watching.
I like "Anchorman" Will Ferrel, but in this he's in another league altogether. Bouncing off the rest of the cast - Emma Thompson and Dustin Hoffman are on particularly fine form and perfect foils for the main character - he climbs to a new level as an actor.
As a production it is pretty much spot on. The use of Wreckless Eric in the soundtrack was genius. I'm not a fan of either slush or explicit sex in films, aesthetically, but in this the play between Ferrel and Maggie Gyllenhaal really made me smile. It is slick, but feels a little bit indie, as if there were a lot of people who had a passion to make this movie.
If you enjoyed "Being John Malkovitch" then I really recommend you check this title out. It's suitable for a wide range of viewers and has baking and guitars, so great for guys and chicks too! That's Not a sexist comment, but one that will make more sense when you see the movie, trust me...
I like "Anchorman" Will Ferrel, but in this he's in another league altogether. Bouncing off the rest of the cast - Emma Thompson and Dustin Hoffman are on particularly fine form and perfect foils for the main character - he climbs to a new level as an actor.
As a production it is pretty much spot on. The use of Wreckless Eric in the soundtrack was genius. I'm not a fan of either slush or explicit sex in films, aesthetically, but in this the play between Ferrel and Maggie Gyllenhaal really made me smile. It is slick, but feels a little bit indie, as if there were a lot of people who had a passion to make this movie.
If you enjoyed "Being John Malkovitch" then I really recommend you check this title out. It's suitable for a wide range of viewers and has baking and guitars, so great for guys and chicks too! That's Not a sexist comment, but one that will make more sense when you see the movie, trust me...
Other's have given good synopses of the plot so I'll not go along that route, and I'll keep this brief. One other commenter noted the quality of Bill Pullman and I have to concur. He has a habit of choosing rather off-beat films that deserve greater success than they receive; I'm thinking of The Zero Effect and Lost Highway rather than Independence Day.
I was expecting very little from this film and was awed by the quality of the production. Rick managed to build its own style as a film, being grotesque and dramatic, yet the moniker of DARK COMEDY was not a lie on the sleeve, it really was very funny.
Thankfully the film only follows the same general route as the opera. Guiseppe Verdi (sounds so dull when you translate it to English - Joe Green) never wrote for the screen. Yet... the production retains a very set-like feel, as if it was taken from a play.
The only criticism that I can really level at Rick is that it seems to lose its pacing in the last 15 minutes, when you can see the slow car-crash of a finale approaching. The director really passes up opportunities to build suspense and there is a feeling of an opportunity lost. However, this stands out only due to the quality overall.
In summary, it's got really superb characters, none of them are out of the box at all. Gothic and fatalistic, funny and sexy but cruel and merciless. The acting is faultless, stand-out performances from Bill Pullman and Sandra Oh, with a special mention for one of the most cringe-worthy bosses of all time to Aaron Stanford - watch out for him in the future.
I was expecting very little from this film and was awed by the quality of the production. Rick managed to build its own style as a film, being grotesque and dramatic, yet the moniker of DARK COMEDY was not a lie on the sleeve, it really was very funny.
Thankfully the film only follows the same general route as the opera. Guiseppe Verdi (sounds so dull when you translate it to English - Joe Green) never wrote for the screen. Yet... the production retains a very set-like feel, as if it was taken from a play.
The only criticism that I can really level at Rick is that it seems to lose its pacing in the last 15 minutes, when you can see the slow car-crash of a finale approaching. The director really passes up opportunities to build suspense and there is a feeling of an opportunity lost. However, this stands out only due to the quality overall.
In summary, it's got really superb characters, none of them are out of the box at all. Gothic and fatalistic, funny and sexy but cruel and merciless. The acting is faultless, stand-out performances from Bill Pullman and Sandra Oh, with a special mention for one of the most cringe-worthy bosses of all time to Aaron Stanford - watch out for him in the future.