Pavones
Entrou em jul. de 2019
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações1
Classificação de Pavones
This is the itranslate version of the French critic review of L'Oeil Sur L'Ecran:
To keep their dilapidated castle, a family of desginated nobles turned it into a hotel. But as customers are scarce, they arrange with the small local garage for travelers to make a forced stop. This will lead to very different people at the castle, including a bank robber... Written by Daniel Boulanger and cut by Claude Sautet, The Devil by the Tail is often described as "marked by the spirit of May 68" (in reality, this qualifier would apply much more precisely to Philippe de Broca's previous film, The King of Hearts shot in 1966. It is certainly more accurate to say that this is a light and wacky, kindly amoral comedy. Nothing is serious here, we seduce, we play with love, in all its forms. The film is imbued with a communicative pleasure. Yves Montand obviously had a good time composing this exuberant and charming southerner and Marthe Keller as a young nymph with long legs brings a nice touch of mutinous freshness. There are good scenario finds, the whole is fluid; we have a lot of fun.
Rated: 3 out of 4 stars
To keep their dilapidated castle, a family of desginated nobles turned it into a hotel. But as customers are scarce, they arrange with the small local garage for travelers to make a forced stop. This will lead to very different people at the castle, including a bank robber... Written by Daniel Boulanger and cut by Claude Sautet, The Devil by the Tail is often described as "marked by the spirit of May 68" (in reality, this qualifier would apply much more precisely to Philippe de Broca's previous film, The King of Hearts shot in 1966. It is certainly more accurate to say that this is a light and wacky, kindly amoral comedy. Nothing is serious here, we seduce, we play with love, in all its forms. The film is imbued with a communicative pleasure. Yves Montand obviously had a good time composing this exuberant and charming southerner and Marthe Keller as a young nymph with long legs brings a nice touch of mutinous freshness. There are good scenario finds, the whole is fluid; we have a lot of fun.
Rated: 3 out of 4 stars