grubertm

Being a huge fan of Conte d'ete ( http://www.imdb.com/title/tt0115940/ ) I was expecting to be wowed by another French beach romance with a lot of honesty, realism, and humor. Same director, same actress- what could go wrong? Unfortunately, Pauline a la plange is a huge disappointment. It's very slow and talkative which would be fine if the dialog conveyed insights into the characters, was meaningful, or original. But it comes across as a typical soap opera alternating between irrelevant pillow talk and jealous accusations. The only thing that saves this movie from being a complete disaster is a small amount of character development or at least "character change" with regards to Pauline. The source material is standard fare (sexual awakening during a beach vacation) but it could have been a decent film nevertheless if any of the characters were sufficiently interesting. Unfortunately that's not the case. Event though there are other shortcomings with Rohmer's season cycle, most of his later films are definitely leagues above this one.

Bond-style action movie using (too much) computer graphics to make it look like a 1940s film noir. It is hard to judge the movie's plot since it's intentionally over the top and incoherent, and does not take itself too serious. However, it is very reminiscent of your average James Bond movie with an evil genius hiding in his island laboratory to build a doomsday device. Similarly, the Far East escapades and bickering between the two main characters contain a hint of Indiana Jones.

Angelina Jolie's acting is as bad as usual, but the rest of the cast does a good job. All in all a nice popcorn flick that delivers good moments of action, romance, and comedy, combined with unusual visuals.

Usually this movie is categorized as either a love story, comedy or drama. IMO it is all and none of these- for the simple reason that the plot does not really matter. What has impressed me about this movie is the realistic way the characters are portrayed. If in a Hollywood movie a character has merely two motivations acting on him this is already interpreted as a "highly complex personality". So the common movie shows characters with a 1D psyche which contradicts the many facets of Self and the elusive, fuzzy nature of personality that one usually has or experiences. On the other hand there are movies which emphasize the highly artistic side by stuffing in all kinds of metaphors, analogies, images, etc. While this might make for an interesting intellectual puzzle- to me itïs just dull because this avoids the medium's strength of portraying intense situations. Just like a book written in Latin: it can be fun deciphering it- but it certainly does not make a good read. With these extremes out of the way- back to _Conte d'ete_. It's presented in a diary-like way with the protagonist either on his own or in company of one of the girls he is in love with. There are a few group scenes but thankfully they are rare and the main focus is on dialogues between the different personalities. All of the characters appear convinced of having a static self at the time of speaking. Yet throughout the movie one can see quite rapid changes going on which, just as in real life are not completely directed at a specific goal (IMO linear character development only takes place in bad short stories). So while each character remains mostly unaware about his/her individual changes they are made obvious by the characters describing each other. The dialogues are extremely lifelike- with all the mechanisms of exaggerating, rationalizing, white lies, etc.

What makes this movie a piece of art instead of just a diary film adaption is the timelessness with which it is presented. The images and characters are somewhat blurred or softened (_not_ in a visual sense!) as a fading memory might be. There are dates inserted every few minutes giving the plot a duration of about two weeks. Had this not been done it would be hard to tell whether the time span covered is 3 days or 3 years. Despite having an elaborate personality the characters at the same time remain general (archetypical, if you will) and personally I find it very easy to identify friends with these characters- which IMO is intended.

To sum it up, I see this movie as an evocative exercise in applied psychology reflecting or focusing life towards the audience. While there are some recurring commentaries the film is for the most part free of moral judgement.

There are two points of negative critic: - the otherwise excellent acting (which does not look like acting) is limited by the somewhat uninspired gestures of the main actor (Melvil Poupaud). - the Deus Ex Machina ending which is used to finish an otherwise endless story