Bishop8449

While I acknowledge that the movie is entertaining for a one-time watch, it struck me as a mix of Mohanlal's previous films, such as Puli Murugan, Drishyam, and others. The plot revolves around a soft-spoken, family-oriented man who becomes invincible when faced with corrupt and cruel authorities and cornered by them. He then rises to protect his family and seeks vengeance all on his own, but all of these sound too familiar.

The protagonist did brilliant acting that somewhat levels up with Mohanlal, and Shobhana's appearance felt like ticking a box - to bring back the duo to reality.

Also, it felt like a Karma Hitting Mohanlal for all the mental agony caused by him to Varun's parents in Drishyam. 🤣

The movie undeniably stands out as one of the finest cinematic experiences I've encountered, drawing me in completely from the very first frame to the closing credits. The seasoned actors delivered exceptionally powerful performances, bringing depth and authenticity to their roles. However, a few of the younger villains occasionally veered into overacting, which slightly undermined some intense moments. Despite this minor flaw, the film is an absolute must-see for all parents. It conveys a striking and essential message about the importance of steering clear of drugs, while poignantly emphasizing the need to protect our children and youth from this pervasive threat.

Kunchako Boban's portrayal of a police officer is nothing short of brilliant, capturing the complexities of his character with remarkable finesse. Kudos to Kunchako and the entire cast for their commendable work. This is a movie that deserves to be rewatched, as it offers not only entertainment but also thought-provoking themes that linger long after the credits roll.

The movie Bad Boyz is simply a waste of time, and once again, Omar Lulu has shown that he isn't fit to be called a director. The film lacks any real essence, and the jokes fall flat. I'm unsure if casting Rahman was the right choice for such a subpar film; he used to shine in supporting roles, but this movie has hit a new low. Dhyan and the rest of the crew seem to fit in a film lacking essence and class.

As for Sheelu Abraham, I can't help but feel that if it weren't for her financial backing, she wouldn't have had a place in this movie. Her performance is bland, and her presence leaves much to be desired. I wonder how the producers expect to see a return on their investment from these awful films. Is it just a case of money laundering for them?