Martin_Pyramid
Entrou em mar. de 2025
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Avaliações186
Classificação de Martin_Pyramid
Avaliações102
Classificação de Martin_Pyramid
SEASON 1 - DHAMER (3/5)
It's a tricky subject to talk about such horrible and tragic events when the families are still alive, especially when the executive producer is Ryan Murphy, who, of course, would do a biopic about a gay serial killer.
What doesn't work here, it's the show tries its very best not to be too exploitive, it makes whole episodes about the victim, it is shy to show the violence of the murders, and it has a lot of talk about how it's a bad thing to exploit tragic events for entertainment. It's even more apparent when they show another killer murdering someone in a very graphic way. All of that makes you think they are trying to get away with their show by being self-conscious about giving Dahmer another media representation. It does feel forced most of the time, removing some of the nature of a scene, but sometimes it works. There is one episode centered around Dahmer's neighbor that must be the best of the series, with how empathic the episode it's with her pain.
The show is also very slow. Some episode seems to never end, most of the time because of the emphasis on the victim, and society, but sometimes just because Dahmer is mostly a very slow character in his way to developing and even acting and talking.
On the good side, there are some very creepy scenes, and Evan Peters' and Niecy Nash's performances are great. But you know that it could have been more entertaining and scarier.
It's a tricky subject to talk about such horrible and tragic events when the families are still alive, especially when the executive producer is Ryan Murphy, who, of course, would do a biopic about a gay serial killer.
What doesn't work here, it's the show tries its very best not to be too exploitive, it makes whole episodes about the victim, it is shy to show the violence of the murders, and it has a lot of talk about how it's a bad thing to exploit tragic events for entertainment. It's even more apparent when they show another killer murdering someone in a very graphic way. All of that makes you think they are trying to get away with their show by being self-conscious about giving Dahmer another media representation. It does feel forced most of the time, removing some of the nature of a scene, but sometimes it works. There is one episode centered around Dahmer's neighbor that must be the best of the series, with how empathic the episode it's with her pain.
The show is also very slow. Some episode seems to never end, most of the time because of the emphasis on the victim, and society, but sometimes just because Dahmer is mostly a very slow character in his way to developing and even acting and talking.
On the good side, there are some very creepy scenes, and Evan Peters' and Niecy Nash's performances are great. But you know that it could have been more entertaining and scarier.
A surprising surrealist take on the Magical Girls and High School anime genres. Utena takes full advantage of the surrealist to offer beautiful visuals with a lot of play on space, light, and metaphor. The characters also have a gorgeous 90s design.
The story itself is pretty simple as the anime is divided into arcs that follow the same pattern: Utena has to fight, one by one, a group of people. Also, there are a lot of repetitive scenes which contribute to the artistic side of the show, but also slowly make it predictable. What saves Utena from being too shallow is how deeply they dare to go with their characters' trouble and their message about sexuality and desire underneath the main storyline.
The last arc goes into deeper territory with uncompromising story shifts up to a "too deep for you" but crazily creative finale.
The story itself is pretty simple as the anime is divided into arcs that follow the same pattern: Utena has to fight, one by one, a group of people. Also, there are a lot of repetitive scenes which contribute to the artistic side of the show, but also slowly make it predictable. What saves Utena from being too shallow is how deeply they dare to go with their characters' trouble and their message about sexuality and desire underneath the main storyline.
The last arc goes into deeper territory with uncompromising story shifts up to a "too deep for you" but crazily creative finale.