ak-22
Entrou em jul. de 2002
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações6
Classificação de ak-22
My first taste of Kiarostami, whom I've read about for years. I was
worried that, as a filmmaker, Kirostami would be as inaccessible
as Godard in the 80s. I was pleasantly surprised by A TASTE OF
CHERRY. It's a linear narrative, and the film's early ambiguity
concerning the driver's quest kept me guessing (I knew nothing
about this film going in, which was a real plus). The film's unusual
visual style, particularly the long unedited takes, works suprisingly
well for this type of story. I can understand why traditional
American filmgoers would be bored to tears by A TASTE OF
CHERRY, but for fans of independent and foreign film, it's a
worhwhile investment of your time. It probably works better witth
an older audience that can identify with the world-weary
characters.
worried that, as a filmmaker, Kirostami would be as inaccessible
as Godard in the 80s. I was pleasantly surprised by A TASTE OF
CHERRY. It's a linear narrative, and the film's early ambiguity
concerning the driver's quest kept me guessing (I knew nothing
about this film going in, which was a real plus). The film's unusual
visual style, particularly the long unedited takes, works suprisingly
well for this type of story. I can understand why traditional
American filmgoers would be bored to tears by A TASTE OF
CHERRY, but for fans of independent and foreign film, it's a
worhwhile investment of your time. It probably works better witth
an older audience that can identify with the world-weary
characters.
My first taste of Kiarostami, whom I've read about for years. I was
worried that, as a filmmaker, Kiarostami would be as inaccessible
as Godard in the 80s. I was pleasantly surprised by A TASTE OF
CHERRY. It's a linear narrative, and the film's early ambiguity
concerning the driver's quest kept me guessing (I knew nothing
about this film going in, which was a real plus). The film's unusual
visual style, particularly the long unedited takes, works surprisingly
well for this type of story. I can understand why traditional
American filmgoers would be bored to tears by A TASTE OF
CHERRY, but for fans of independent and foreign film, it's a
worthwhile investment of your time. It probably works better with
an older audience that can identify with the world-weary
characters.
worried that, as a filmmaker, Kiarostami would be as inaccessible
as Godard in the 80s. I was pleasantly surprised by A TASTE OF
CHERRY. It's a linear narrative, and the film's early ambiguity
concerning the driver's quest kept me guessing (I knew nothing
about this film going in, which was a real plus). The film's unusual
visual style, particularly the long unedited takes, works surprisingly
well for this type of story. I can understand why traditional
American filmgoers would be bored to tears by A TASTE OF
CHERRY, but for fans of independent and foreign film, it's a
worthwhile investment of your time. It probably works better with
an older audience that can identify with the world-weary
characters.
I will never see another film by Todd Phillips ever again, from the
miserably overrated OLD SCHOOL to this aimless waste of talent.
There's about 25% of a decent satirical remake of the old TV show;
the rest is nothing but misfires. 2 Hours out of my life that I will
never see again, but it seemed like a lifetime. Of all the interesting
films in release, why did my wife have to pick this one? The best
part of this film was the cameo by the original team, who both have
been hit by personal tragedies, since the end of the TV series.
You can't really blame Stiller and Wilson, though they must have
read the script before they signed up. Thumbs down, way down.
miserably overrated OLD SCHOOL to this aimless waste of talent.
There's about 25% of a decent satirical remake of the old TV show;
the rest is nothing but misfires. 2 Hours out of my life that I will
never see again, but it seemed like a lifetime. Of all the interesting
films in release, why did my wife have to pick this one? The best
part of this film was the cameo by the original team, who both have
been hit by personal tragedies, since the end of the TV series.
You can't really blame Stiller and Wilson, though they must have
read the script before they signed up. Thumbs down, way down.