niborskaya
Entrou em mai. de 2002
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Selos2
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Avaliações18
Classificação de niborskaya
Perfectly watchable Disney fare. You can read the lot points elsewhere. But two things stood out that I winced at, the Hawaiians were simplistic and stereotyped as childlike innocents lazy folks, and the cattle were treated atrociously.
I love the movies Holiday Inn and Song of the South, uh.... except for the Blackface Minstrel number in the former and the "happy slave" trope in the later.
Castaway Cowboy is really nothing special at all. I saw it as a kid in '74, and forgot its plot. Now I'll remember the plot because a lot more sensitive to the suffering of sentient beings, animals AND people.
I love the movies Holiday Inn and Song of the South, uh.... except for the Blackface Minstrel number in the former and the "happy slave" trope in the later.
Castaway Cowboy is really nothing special at all. I saw it as a kid in '74, and forgot its plot. Now I'll remember the plot because a lot more sensitive to the suffering of sentient beings, animals AND people.
This series is available for free on YouTube in the US.
First understand this series is not a retelling of the novel. Therefore it is also NOT like the movie with Maggie Smith. This series really is more stories about Jean Brodie imagined by what i believe are different writers. So things happen here that did not happen in the novel.
It's really quite good. Jean in this series is less narcissistic, kinder, and less abrasive and shrill than the character in the book/movie. She is less full of herself. The girls of Marcia Blaine School are interesting, funny and rather silky.
The acting across the board is terrific. Production values are very good. The original character are mostly all present. Just don't expect to see episodes played out from the book. This is like highly produced fan fiction.
First understand this series is not a retelling of the novel. Therefore it is also NOT like the movie with Maggie Smith. This series really is more stories about Jean Brodie imagined by what i believe are different writers. So things happen here that did not happen in the novel.
It's really quite good. Jean in this series is less narcissistic, kinder, and less abrasive and shrill than the character in the book/movie. She is less full of herself. The girls of Marcia Blaine School are interesting, funny and rather silky.
The acting across the board is terrific. Production values are very good. The original character are mostly all present. Just don't expect to see episodes played out from the book. This is like highly produced fan fiction.
I'm getting older, I have to pay more attention to what I spend my time doing, watching. I saw Franco Nero was in it, and it peaked my interest. He's just so doggone handsome. That's what I get for being so superficial.
So, 20 minutes of Franco Nero at the beginning of the 1st episode, and intermittent shots of the breath-taking Cornish coast dispersed among the next 6 hours of the series is absolutely all this lugubrious, stilted, awkward show has to offer... Well, wait, now Tom Conti give an endearingly laid back performance. Juliet Mills is charming as a curmudgeonly and sassy grande dame. And that's it. The three female leads, all German actresses, are maddeningly boring, the ingenue trying very hard to be charming and delightful one minute (smiling with her tongue showing ever so slightly), and neurotic and existential the next. And yes, as another reviewer wrote, she looks 14 years old. And she never met a plunging neckline she didn't like.
Finally, that insipid stereotypical 1h990s British musical score, sounds like the same composer who wrote the score for the original House of Cards (which is fabulous, btw).
Why on earth hire three German actresses to play the leads in this story about the British landed gentry?
Well, what's done is done. Luckily, the only people who are at risk of seeing this are those that subscribe to Acorn, so most of the population of the US does not risk of wasting 6 hours of their dwindling years on this half-baked series.
So, 20 minutes of Franco Nero at the beginning of the 1st episode, and intermittent shots of the breath-taking Cornish coast dispersed among the next 6 hours of the series is absolutely all this lugubrious, stilted, awkward show has to offer... Well, wait, now Tom Conti give an endearingly laid back performance. Juliet Mills is charming as a curmudgeonly and sassy grande dame. And that's it. The three female leads, all German actresses, are maddeningly boring, the ingenue trying very hard to be charming and delightful one minute (smiling with her tongue showing ever so slightly), and neurotic and existential the next. And yes, as another reviewer wrote, she looks 14 years old. And she never met a plunging neckline she didn't like.
Finally, that insipid stereotypical 1h990s British musical score, sounds like the same composer who wrote the score for the original House of Cards (which is fabulous, btw).
Why on earth hire three German actresses to play the leads in this story about the British landed gentry?
Well, what's done is done. Luckily, the only people who are at risk of seeing this are those that subscribe to Acorn, so most of the population of the US does not risk of wasting 6 hours of their dwindling years on this half-baked series.