y-40605
Entrou em set. de 2023
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações1
Classificação de y-40605
Let's start with the pros. Some of the costumes, art, and casting in the movie are excellent. Fei Xiang's face has a very advanced sense of screen quality, Yang Jian's casting, styling, and action design are bright and eye-catching, Su Daji is more in line with personal aesthetics, and the fox's dynamic expression is very dynamic. Zhaoge and Xiji are each unified in terms of visual sensibility, color, and design language, and from an art perspective, the shaping of the worldview is successfully completed. Zhaoge and Xiji are unified in their visual senses, colors, and design language, and from an art perspective, the shaping of the film's worldview is successfully completed.
The biggest problem is that the script is too weak in literature and has too many contradictory points of logic. The whole movie is boring if you take away the art and special effects. The deaths of Empress Jiang and Bigan were awkward, and the deaths were meaningless.
The biggest problem is that the script is too weak in literature and has too many contradictory points of logic. The whole movie is boring if you take away the art and special effects. The deaths of Empress Jiang and Bigan were awkward, and the deaths were meaningless.