iandcooper

Firstly can I please put the record straight - this is NOT a movie, but a TV drama made by the BBC in 1966.

Carol White plays "Cathy", the mother, Ray Brooks the father. Through circumstances they find themselves destitute with nowhere to live.

Carol White's performance was absolutely without parallel, and I defy anyone who is a parent, to remain dry-eyed when the Social Welfare people find her seated on a bench with her children in a London railway station. The children are wrenched out of their mother's arms, the children screaming for their mother, and "Cathy" hysterical with emotion, trying to prevent their removal. How could we ever have lived with such a barbaric system? This drama served as a landmark in Social Services methods within the UK, and Carol White's superb portrayal will forever be regarded as instrumental in bringing about change.

I would like to be able to report that such things no longer happen in the UK, but I cannot. Perhaps in not such a heart-wrenching way, children are still removed from their families on the pretext of "child welfare" priorities. Priorities that are distorted by the setting of Government adoption targets - so just who is helping who here?

This is not family viewing, but is an important historical account of a time that none of us should be proud.

Being an aviation enthusiast, but not a jumper - I was drawn to this movie. Burt Lancaster plays "Mike Rettig" in the sort of role he is best at, plenty of action, with an eye for a pretty face. The pretty face in this case being Deborah Kerr. Miss Kerr was approaching 50 years of age when this movie was made, but was able to been seen close-up and naked with Burt Lancaster in what what must be one of the few (if the only) scenes where Miss Kerr reveals all. A far cry from the many Nuns she has played in her career. Compare her in this with "Heaven knows, Mr Allison" with Robert Mitchum. Gene Hackman provides good support as the reckless carefree "Joe Browdy", seeking out the local haunts for loose women. William Windom brilliantly plays Kerr's isolated and betrayed husband. A good film that happily TCM repeats regularly - thank goodness!

I have lost count of just how many times I have seen this movie - I probably know the entire dialog backwards - yet I am drawn to it time and again.

Set in Hungary, a young Jimmy Stewart plays the eligible bachelor "Kralik" who becomes the secret admirer of Margaret Sullavan's innocent "Klara". Kralik secretly becomes Klara's pen-friend, and at work together Klara confides in Kralik about the content of his (Kralik's) letters. Clearly Kralik is besotted with Klara - but is unable to make his feelings known whilst he is in competition with the "pen-friend". Confused? Well you wont be - this story has a sweet, almost sugary ending - but we all know it is the ending we all want.

Other characters worth mentioning are Frank Morgan playing his usual role, this time as the shop's owner "Hugo Matuschek", Felix Bressart as "Pirovitch", Kralik's confidant. Joseph Schildkraut as the womanising arrogant "Vadas" - so well played that you cannot help but hate him right from the beginning.

Finally William Tracy who manages to endear himself to us all with his over-confident upstart of a shop junior "Pepi Katona".

Recently re-made as "You've Got Mail" starring Tom Hanks & Meg Ryan for me is not as good as the original - although I suspect younger audiences would disagree.

If this film is on in your area over Christmas, I suggest you pour yourself a nice glass of wine, put a log on the fire and have a box of Kleenex handy.