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earlytalkie

Entrou em ago. de 2007
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Avaliações69

Classificação de earlytalkie
Broadway
6,25
Broadway
Peacock Alley
4,51
Peacock Alley
Pete and Gladys
7,310
Pete and Gladys
A Parada das Maravilhas
5,710
A Parada das Maravilhas
O Pirata Dançarino
5,210
O Pirata Dançarino
The Colbys
6,03
The Colbys
King of Jazz
6,710
King of Jazz
Young Mother Hubbard
6,57
Young Mother Hubbard
O Grande Gabbo
6,010
O Grande Gabbo
JFK II: The Bush Connection
7,01
JFK II: The Bush Connection
Hazel
7,210
Hazel
Date with the Angels
7,010
Date with the Angels
Susie, Minha Secretária Favorita
7,910
Susie, Minha Secretária Favorita
Shadows
6,110
Shadows
Carrossel
6,510
Carrossel
Lucy and Desi: A Home Movie
8,110
Lucy and Desi: A Home Movie
A Vida com Judy Garland: Eu e Minhas Sombras
7,910
A Vida com Judy Garland: Eu e Minhas Sombras
Meia-Noite em Paris
7,610
Meia-Noite em Paris
O Caminho
7,310
O Caminho
Sublime Tentação
7,310
Sublime Tentação
The Dinah Shore Chevy Show
8,010
The Dinah Shore Chevy Show
Dinastia
6,47
Dinastia
Stella Dallas, Mãe Redentora
7,410
Stella Dallas, Mãe Redentora
Carol Channing: Larger Than Life
7,510
Carol Channing: Larger Than Life
As Bruxas de Salem
6,110
As Bruxas de Salem

Avaliações199

Classificação de earlytalkie
Canção do Sheik

Canção do Sheik

6,1
  • 18 de fev. de 2018
  • Beautiful Music In Old-Fashioned Operetta

    This is an example of an extinct musical sub-genre, the operetta. You get a dashing hero, a hissable villan, and a damsel in distress in any typical example. THE DESERT SONG has all these, plus, what I feel is one of the loveliest of all operetta scores, in this case, composed by Sigmund Romberg. This is the third film by Warner Brothers of this show. A few details have been changed from the 1926 stage show, but that is not important. The story flows along with Kathryn Grayson and Gordon MacRae bursting into song in true operetta fashion. Allyn McLerie does an exotic dance, and there are some gorgeous settings and scenery. I saw this years ago on a vhs tape, and, the Technicolor was a bit washed out. It is stunning on the Warner Archive dvd, and the glorious voices of Grayson and MacRae are perfectly recorded. Indeed, this was one of the last operettas filmed in the early '50s. They're out of style, and, I suppose, laughable to more sophisticated audiences of today, but they and this one in particular possess a great deal of charm, not to mention talent. If you want to escape to another world, far far away from the problems of today, immerse yourself in the soothing melodies of THE DESERT SONG.
    Os 5.000 Dedos do Dr. T.

    Os 5.000 Dedos do Dr. T.

    6,7
  • 24 de mar. de 2017
  • Amazing, wonderful and waaay ahead of it's time

    THE 5,000 FINGERS OF DR. T is a movie that simply has to be experienced to be appreciated. Tommy Rettig is Bart, a normal little boy who emphatically does not want to be tied down to his piano lessons. His teacher is a grueling taskmaster whom the boy loathes. He drifts off into a nightmare prison world where he is being commanded to play. His Mother has been hypnotized into assisting Dr. T, and Bart tries to enlist the help of the friendly plumber, August, to free her. Heloise, the Mother and August are winningly played by real life husband and wife team Mary Healy and Peter Lind Hayes. Bart is played by Tommy Rettig, and Dr. T is played with flamboyant relish by marvelous Hans Conried, and he steals the show. This film was conceived by Dr. Seuss, and I must say there is nothing else ever filmed to compare it to. A huge flop when first released in 1953, the film today has a well-deserved cult following. The beautiful Technicolor pops off the screen in the blu ray version that I saw this on.
    O 'Boyfriend' (O Namoradinho)

    O 'Boyfriend' (O Namoradinho)

    6,8
  • 15 de mar. de 2017
  • Pictorially Beautiful Classic

    This film has never looked or sounded better than on the newly-released blu ray. Twiggy makes an enchanting screen debut in a totally unique contribution to the musical. The slim story tells of a run down theater troupe putting on a production of THE BOY FRIEND. Assistant Stage Manager Polly Brown (Twiggy) has to go on in place of the injured star (A marvelous, unbilled Glenda Jackson). This means Polly will have to play love scenes with a leading man she has had a mad crush on. (Christopher Gable). The house is near empty, and the star won't be missed too much, but wait! A Mr. DeThrill has arrived to scout out the performance! This gives director Ken Russell the chance to show us some stunning dream numbers which pay homage to early Hollywood musicals like SHOW OF SHOWS, (1929), FLYING DOWN TO RIO, (1933), and in particular, the work of Busby Berkeley. This is a totally unique show, but one that is worth warming up to.
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