esseff_UK
Entrou em jul. de 2007
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Classificação de esseff_UK
Kevin Bacon is probably the best thing about this, although his supposed British accent keeps going 'down under' into Australian. It also looked like it had to be over-dubbed afterwards as he clearly doesn't do accents well.
Djimon Hounsou is very believable, and the action scenes where he partakes in hand-to-hand combat are realistic and well executed. The dialogue is a bit patchy and the Thai characters are mostly your typical one-dimensional China/South East Asian stereotypes. I'm not familiar with the Thai director and I dare say in other hands the film might've been very different, but then access to Thailand may have been more restrictive, so swings and roundabouts.
Kevin bacon's small part is interesting but Djimon Hounsou makes this worth watching, for the integrity of the action if nothing else, but it's perhaps better suited to a home viewing rather than a ticket at the cinema.
Djimon Hounsou is very believable, and the action scenes where he partakes in hand-to-hand combat are realistic and well executed. The dialogue is a bit patchy and the Thai characters are mostly your typical one-dimensional China/South East Asian stereotypes. I'm not familiar with the Thai director and I dare say in other hands the film might've been very different, but then access to Thailand may have been more restrictive, so swings and roundabouts.
Kevin bacon's small part is interesting but Djimon Hounsou makes this worth watching, for the integrity of the action if nothing else, but it's perhaps better suited to a home viewing rather than a ticket at the cinema.
The title says it all: Forgiving Dr. Mengele is a short, simple but powerfully provocative documentary about a Holocaust survivor's decision to forgive her Nazi captors and the furor her public act creates. Filmmakers Bob Hercules and Cheri Pugh force viewers to question their own capacity to forgive by detailing the story of a woman subjected to the worst kind of evil and her willingness to absolve those responsible for her suffering.
Eva Mozes Kor was one of thousands of Jews turned into "human guinea pigs" by Josef Mengele, the head Nazi doctor at the Auschwitz concentration camps during World War II. While Kor's other family members did not survive their horrific treatment, Kor somehow managed to live. After the war and liberation of the camp, Kor married and started a family in America, but still lived with the pain of the past. In the 1980s, Kor met the only surviving Nazi doctor of the era, Hans Munch, and persuaded him to come back to Auschwitz with her to declare that the Holocaust occurred. During the ceremony, Kor forgave Munch and a reporter asked her whether or not she could also forgive Mengele. Kor answered yes and started a firestorm.
Unlike most Holocaust documentaries, Forgiving Dr. Mengele looks at a modern-day situation through the lens of the past and tackles a philosophical dilemma along the way. Director-producers Hercules and Pugh ponder whether it is possible, or even appropriate, to forgive evil. Eve Mozes Kor makes her case about needing to heal one's own heart and soul, but other Holocaust victims, including Jona Laks and Vera Kriegel, are outraged by Kor's act.
The viewer gets an unflinching history lesson about how Mengele tortured and killed under the guise of scientific research and experimentation. (The archival footage is gruesome.) There is also an intimate portrait of Kor and her family, including the husband, Michael, she met after World War II, and their two children (now grown) and grandchildren. The less forgiving Holocaust victims get much less of a back story.
Despite the empathetic focus on Kor, Forgiving Dr. Mengele doesn't automatically side with her controversial announcement-at Auschwitz itself-to forgive the Nazis, but it fully explores the issues raised and eventually regards Kor as a courageous and inspiring individual. In one of the many dramatic sequences, as a group of Jews argue with Kor at a Jewish centre, the meaning of the word "forgive" is even debated, but the isolated and outnumbered Kor holds her own.
The conundrum of Kor's message culminates in the passage where Kor travels to a Palestinian neighbourhood and hears from a group of activists and victims of Israeli violence about how they wish to free themselves of their hate. Kor admits later "it was more than I could deal with." This event is followed by an even more hurtful episode: Kor learns her local Holocaust museum, in Terre Haute, Indiana, has been deliberately destroyed by a fire. Yet even in face of this new hate, Kor feels more sadness than anger. She again considers forgiveness. Eva Mozes Kor's strength of spirit should inspire even those who disagree with her view, and Forgiving Dr. Mengele is a valuable document for at least that reason alone.
-Eric Monder
Eva Mozes Kor was one of thousands of Jews turned into "human guinea pigs" by Josef Mengele, the head Nazi doctor at the Auschwitz concentration camps during World War II. While Kor's other family members did not survive their horrific treatment, Kor somehow managed to live. After the war and liberation of the camp, Kor married and started a family in America, but still lived with the pain of the past. In the 1980s, Kor met the only surviving Nazi doctor of the era, Hans Munch, and persuaded him to come back to Auschwitz with her to declare that the Holocaust occurred. During the ceremony, Kor forgave Munch and a reporter asked her whether or not she could also forgive Mengele. Kor answered yes and started a firestorm.
Unlike most Holocaust documentaries, Forgiving Dr. Mengele looks at a modern-day situation through the lens of the past and tackles a philosophical dilemma along the way. Director-producers Hercules and Pugh ponder whether it is possible, or even appropriate, to forgive evil. Eve Mozes Kor makes her case about needing to heal one's own heart and soul, but other Holocaust victims, including Jona Laks and Vera Kriegel, are outraged by Kor's act.
The viewer gets an unflinching history lesson about how Mengele tortured and killed under the guise of scientific research and experimentation. (The archival footage is gruesome.) There is also an intimate portrait of Kor and her family, including the husband, Michael, she met after World War II, and their two children (now grown) and grandchildren. The less forgiving Holocaust victims get much less of a back story.
Despite the empathetic focus on Kor, Forgiving Dr. Mengele doesn't automatically side with her controversial announcement-at Auschwitz itself-to forgive the Nazis, but it fully explores the issues raised and eventually regards Kor as a courageous and inspiring individual. In one of the many dramatic sequences, as a group of Jews argue with Kor at a Jewish centre, the meaning of the word "forgive" is even debated, but the isolated and outnumbered Kor holds her own.
The conundrum of Kor's message culminates in the passage where Kor travels to a Palestinian neighbourhood and hears from a group of activists and victims of Israeli violence about how they wish to free themselves of their hate. Kor admits later "it was more than I could deal with." This event is followed by an even more hurtful episode: Kor learns her local Holocaust museum, in Terre Haute, Indiana, has been deliberately destroyed by a fire. Yet even in face of this new hate, Kor feels more sadness than anger. She again considers forgiveness. Eva Mozes Kor's strength of spirit should inspire even those who disagree with her view, and Forgiving Dr. Mengele is a valuable document for at least that reason alone.
-Eric Monder