petshop
Entrou em mar. de 2000
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos9
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações50
Classificação de petshop
of this horrific disaster for wading through what is probably the worst script I've heard this year. The expository writing and heavy-handed directing refuse to allow you to think. The acting is so horrendously stilted (largely due to the truly awful writing)that your skin will crawl... it's not even campy bad. It's just boring bad.
The story throws every passe cliche it can dig up, gay and straight, at your face... and more than once. Let's hope this film is not the harbinger of the death of gay cinema.
I notice a couple of raving user comments... they're phoney. Those users haven't commented on anything else. This user is an avid movie-goer, and not an insider or buddy of the filmmaker. It's just an honest opinion.
The story throws every passe cliche it can dig up, gay and straight, at your face... and more than once. Let's hope this film is not the harbinger of the death of gay cinema.
I notice a couple of raving user comments... they're phoney. Those users haven't commented on anything else. This user is an avid movie-goer, and not an insider or buddy of the filmmaker. It's just an honest opinion.
An interesting documentary that probes the lives of Kurt Cobain and Courtney Love. Broomfield manages to dig some oddballs out of the woodwork, which is fascinating. But a couple of token reliable sources would've lent the film credibility. The film seems to build up to a confrontation with THE Courtney Love, but when he finally confronts her, his questions are rather tame and anti-climatic.
Lee's story of soon-to-be basket ball superstar, Jesus Shuttlesworth, as he is wooed by colleges, a conniving girlfriend, and his imprisoned father, is solid, funny, and entertaining. While his directing choices do not always work, Lee's script is amazing. The cast is excellent. Milla Jovovich gives a great performance in an utterly superfluous role which could have (and often does) popped up in any movie. Aaron Copland's self-conscious score jars against Lee's self-conscious directing. Public Enemy's excellent song would be more effective if it was limited to being played, say, less than ten times during the film.