Bronze
Entrou em jul. de 1999
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Selos5
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Avaliações18
Classificação de Bronze
This movie is so much more realistic than every other Anne Frank film. For starters it does not show Anne as a saint-like person and although she was a great, great person, she was just like every other girl (excuse me) young lady, she had her faults, and beyond Anne there were the others who had their problems.
Anne was magnificently played by Hannah Taylor Gordon. She is one of the best Annex that I have seen yet. She was perfect in her characterization and really made you love her. You looked at her on screen and you were caught in love with instantly, she was like magic on screen. She as well as Ben Kingsley and Brenda Blethyn both deserve Emmy nominations for their work.
Otto and Auguste van Pels were spot on. Ben playing Otto Frank not as a regal saintly savior of the Annex members (although in many respects he really was) but as a guiding light, the leader, and the most intelligent. Brenda Blethyn turns in another great performance as the spoiled and unadaptable Mrs. van Pels. Great in all her scenes you learn to give sympathy to this woman in a way you don't give anyone else, especially when you see her in the end.
The rest on the Annex members were also nice. Edith Frank was shown as she might really have been in real life. A woman going through a mid-life crises of sorts. Looking back and perhaps not being quite satisfied with her marriage and life. Peter van Pels was as I've never seen him before. The actor was excellent and gave life to Peter which is something I've always wanted to see from the Peter van Pels actors. Mr. van Pels and Mr. Pfeffer are wonderful too. And all of the Secret annex occupants really made a great relationship with the workers.
Lili Taylor pulled of a nice performance as Miep, very selfless and hard working. The rest were great too, including the warehouse worker. However, my main complaint was that Bep Voskuijl was shown to be an utter ditz. Maybe she was written this way because Miep said that that was the way she was, however, I did find it somewhat sad to see her portrayed that way.
The crew also pulled of excellent work. The costuming was nice. Barbara Lane was able to show with good quality how that Franks, van Pels, and Mr. Pfeffer were not poor. Never were they poor, they were very well off. I feel many costumers in the past have assumed that because they were all Jews being persecuted and in hiding that they were poor. Although the quality of clothing would have gone down with time (as shown) she still was able to put forth wonderful work. As did the art department going into nice detail to recreate the annex and the Frank house. Brilliantly filmed all around, power to the writer and producers for going outside the annex.
Anne was magnificently played by Hannah Taylor Gordon. She is one of the best Annex that I have seen yet. She was perfect in her characterization and really made you love her. You looked at her on screen and you were caught in love with instantly, she was like magic on screen. She as well as Ben Kingsley and Brenda Blethyn both deserve Emmy nominations for their work.
Otto and Auguste van Pels were spot on. Ben playing Otto Frank not as a regal saintly savior of the Annex members (although in many respects he really was) but as a guiding light, the leader, and the most intelligent. Brenda Blethyn turns in another great performance as the spoiled and unadaptable Mrs. van Pels. Great in all her scenes you learn to give sympathy to this woman in a way you don't give anyone else, especially when you see her in the end.
The rest on the Annex members were also nice. Edith Frank was shown as she might really have been in real life. A woman going through a mid-life crises of sorts. Looking back and perhaps not being quite satisfied with her marriage and life. Peter van Pels was as I've never seen him before. The actor was excellent and gave life to Peter which is something I've always wanted to see from the Peter van Pels actors. Mr. van Pels and Mr. Pfeffer are wonderful too. And all of the Secret annex occupants really made a great relationship with the workers.
Lili Taylor pulled of a nice performance as Miep, very selfless and hard working. The rest were great too, including the warehouse worker. However, my main complaint was that Bep Voskuijl was shown to be an utter ditz. Maybe she was written this way because Miep said that that was the way she was, however, I did find it somewhat sad to see her portrayed that way.
The crew also pulled of excellent work. The costuming was nice. Barbara Lane was able to show with good quality how that Franks, van Pels, and Mr. Pfeffer were not poor. Never were they poor, they were very well off. I feel many costumers in the past have assumed that because they were all Jews being persecuted and in hiding that they were poor. Although the quality of clothing would have gone down with time (as shown) she still was able to put forth wonderful work. As did the art department going into nice detail to recreate the annex and the Frank house. Brilliantly filmed all around, power to the writer and producers for going outside the annex.
An original AMC series production and about Hollywood fashion both behind-the-scenes and its impact on society, HFM has been very successful and is one of the best documentary series on television. American Movie Classics has succeeded once again in preserving a piece of movie legacy and they did it with style. Although maybe not the most famous thing on television, Hollywood Fashion Machine is a well-made and designed series which is worth giving a look every once in a while.
With great acting on all accounts with other good aspect (including Art/Set decoration and Music Score) this becomes a great movie detailing about the heroism of the Danish Christians in protecting their Jews from the Nazis. All actors perform brilliantly making this a should-see movie. Especially for movies telling about Danes helping to save their Jewish population from the Nazi concentration camps.
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