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liehtzu

Entrou em mar. de 2001
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Avaliações37

Classificação de liehtzu
Ty i ya

Ty i ya

7,1
  • 15 de nov. de 2013
  • One of the great Russian films

    Let's out with it: not counting a diploma film, shorts, and TV work, this woman made only three films before her death, and on the strength of them feels like a major filmmaker. If one looks at these three films they are absolutely opposed to any kind of Soviet optimism: Shepitko's characters are lonely, sick, afraid, cracking up. Especially in YOU AND I, crack, crack, crack. The main character is a medical researcher who's been falling to pieces for some time. He returns to Moscow from a job in Sweden two years after he departed without really telling anyone, to a wife and friend who don't know how to handle him. Soon he's off again, this time on a train on a whim, where he ends up in Siberian boonies, doctor for the local laborers. Meanwhile the wife - who's already waited two years for the guy - and his friend get closer... As with WINGS, Shepitko's greatest film, the story itself is no great shakes - it's the technique that makes it sublime. The director is a great one for details, telling moments, weighty bits of conversation. But more than that she has a simply gorgeous sense of rhythm. YOU AND I, had it been just functionally edited, would have been quite bad. Shepitko's transitions - from place to place, time to time (the movie's liberally laced with flashbacks) - feel absolutely right, the film is poetic and moving.
    Biryuk

    Biryuk

    6,9
  • 13 de nov. de 2013
  • In the Forest

    Nearly wordless film based on one of Turgenev's Hunter's Sketches. So: mid-19th century. The hunter appears in the beginning of the film, lost in the woods during a downpour. He meets the "Lone Wolf" of the title, a large bearded silent fellow who maintains the forest for its aristocrat owner (meaning he keeps the starving serfs, who are in terror of him, from poaching or cutting trees). The Lone Wolf lives in a dilapidated forest hut with his little girl and baby - the wife's run off - and attempts to keep everyone alive on what meager items he can catch (fish in the pond with his bare hands, for instance) or barter for. The irony is that though he hunts the serfs for his master, he is in the same boat as they are. The baby's constantly crying, the child's silent and sorrowful, the serfs becoming bolder from starvation... If all this sounds downbeat, it is. There is also no dialogue at all between the first ten minutes or so, when the hunter (Turgenev's stand-in) meets the Wolf and departs, never to appear in the film again, and the last ten minutes or so, when the Wolf's master and all of his giggling foolish pals ride into the forest for a picnic "peasant style." They mostly gab in French, but enough Russian's spoken to convey that the Lone Wolf will not for long have a forest to guard.

    Whether one likes this film or not depends a lot on one's tolerance for this kind of filmmaking ("minimalist," numerous scenes of the man's daily business, a lot of scenes with birds). It is not, I think, a lost classic, but it is one of the many interesting alternatives to the mainstream that appeared in the Soviet Union in the '60s and '70s.
    Quatro Filhas

    Quatro Filhas

    6,9
    8
  • 22 de mai. de 2013
  • Much more interesting upon reflection

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