Sandy-2
Entrou em jun. de 2000
Bem-vindo(a) ao novo perfil
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Selos2
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Avaliações2
Classificação de Sandy-2
Shot in black and white, Suture expands our minds by casting a black man (Dennis Haysbert) as Clay and a white man (Michael Harris)as Vincent, the proverbial twins separated at birth, who meet again as adults. While the meaning of this unusual casting seems to have escaped most viewers, I think I've either figured it out, or need another hit of 60's style windowpane to jog my mind back to reality. One thing of which I'm sure---race is irrelevant in this piece.
This film is an unique play on the duality of nature, yin and yang, good and evil. Vincent, the evil (white) twin, tries to destroy Clay, the good (black) twin, but ends up losing everything to his opposite. Were we to look at the physical negative image of the film, Vincent would be black and Clay white.
Under suspicion for murdering their father, Vincent tries to fake his own death by inviting Clay to his home, leaving town and killing him via a remote-triggered bomb in his car that he insists Clay drive in his absence. However, Clay survives, but with amnesia that prevents him from knowing who he is. As pieces of Clay's memory begin to return he must determine what is real before Vincent returns to finish him off.
While not the best movie I have ever seen, it is one of the more interesting.
This film is an unique play on the duality of nature, yin and yang, good and evil. Vincent, the evil (white) twin, tries to destroy Clay, the good (black) twin, but ends up losing everything to his opposite. Were we to look at the physical negative image of the film, Vincent would be black and Clay white.
Under suspicion for murdering their father, Vincent tries to fake his own death by inviting Clay to his home, leaving town and killing him via a remote-triggered bomb in his car that he insists Clay drive in his absence. However, Clay survives, but with amnesia that prevents him from knowing who he is. As pieces of Clay's memory begin to return he must determine what is real before Vincent returns to finish him off.
While not the best movie I have ever seen, it is one of the more interesting.
"A Feast at Midnight" is a family feast at any time. The story centers around Goff, a young boy sent to boarding school in England, whose favorite illegal pastime is cooking. Letters from his father offer paternal wisdom, recipes from L'Escoffier and encouragement for his deliciously naughty behaviour.
Goff (Aled Roberts) develops a small band of friends who sneak into the "No Boys Allowed" kitchen late at night, cooking up sophisticated desserts. Will they get caught by Chef, who is clearly frustrated by the Headmaster's desire to feed the school a healthy, low-fat and basically tasteless diet? Or will they get caught by the Major, a stern taskmaster whose daughter, Miss Charlotte (Lisa Faulkner) is employed in many servile capacities at the school?
The very scary Major is drolly portrayed by Christopher Lee, whose deep set eyes and basso profundo is know to viewers in an assortment of Dracula and Sherlock Holmes movies.(He also narrated "The Rocky Horror Picture Show.)Lee is the uncle of Harriet Walker, who coincidentally appeared with Headmaster Robert Hardy in "Sense and Sensibility". (Fanny Dashwood, Sir John Middleton.)
Goff's friendship with Miss Charlotte changes the nature of her relationship to the school and her father, and gives her the courage to declare her own independence.
The anal retentive Chef is superbly portrayed by Samuel West, who moviegoers will recognize as Julia Robert's co-star in "Notting Hill".
Director Justin Hardy and Cinematographer Tim Maurice-Jones use a wide-angle lens to emphasize Goff's sense of aloneness and feelings of being overwhelmed.There are a number of humorous visual and plot puns that film buffs will recognize, such as a play on "Oliver" in a dining hall scene.
Goff's relationship with his father, and his unique method of rebellion make this a film that stands out as an alternative to the usual violent fare aimed at children, yet it is sophisticated enough to be enjoyed by all.
Goff (Aled Roberts) develops a small band of friends who sneak into the "No Boys Allowed" kitchen late at night, cooking up sophisticated desserts. Will they get caught by Chef, who is clearly frustrated by the Headmaster's desire to feed the school a healthy, low-fat and basically tasteless diet? Or will they get caught by the Major, a stern taskmaster whose daughter, Miss Charlotte (Lisa Faulkner) is employed in many servile capacities at the school?
The very scary Major is drolly portrayed by Christopher Lee, whose deep set eyes and basso profundo is know to viewers in an assortment of Dracula and Sherlock Holmes movies.(He also narrated "The Rocky Horror Picture Show.)Lee is the uncle of Harriet Walker, who coincidentally appeared with Headmaster Robert Hardy in "Sense and Sensibility". (Fanny Dashwood, Sir John Middleton.)
Goff's friendship with Miss Charlotte changes the nature of her relationship to the school and her father, and gives her the courage to declare her own independence.
The anal retentive Chef is superbly portrayed by Samuel West, who moviegoers will recognize as Julia Robert's co-star in "Notting Hill".
Director Justin Hardy and Cinematographer Tim Maurice-Jones use a wide-angle lens to emphasize Goff's sense of aloneness and feelings of being overwhelmed.There are a number of humorous visual and plot puns that film buffs will recognize, such as a play on "Oliver" in a dining hall scene.
Goff's relationship with his father, and his unique method of rebellion make this a film that stands out as an alternative to the usual violent fare aimed at children, yet it is sophisticated enough to be enjoyed by all.