apkat
Entrou em mar. de 2001
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Selos4
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Avaliações4
Classificação de apkat
This film is not quite a classic, but it did have one delightful surprise for me.
Iris Colleen Summers, aka Mary Ford, Les Paul's singing partner, is about 20 years old in this film and sings in three songs as one of the Sunshine Girls trio for Jimmy Wakely's band. She has a brief solo in the first song. It was her only film appearance before working with Les Paul.
Les Paul and Mary Ford had numerous top ten hits in the early 1950s, including "How High the Moon" and "Tiger Rag".
Otherwise, this film includes a couple examples of Cliff Nazarro's famous doubletalk and two delightful yodeling songs from Carolina Cotton.
I'd say the music takes a front seat to the comedy here.
Iris Colleen Summers, aka Mary Ford, Les Paul's singing partner, is about 20 years old in this film and sings in three songs as one of the Sunshine Girls trio for Jimmy Wakely's band. She has a brief solo in the first song. It was her only film appearance before working with Les Paul.
Les Paul and Mary Ford had numerous top ten hits in the early 1950s, including "How High the Moon" and "Tiger Rag".
Otherwise, this film includes a couple examples of Cliff Nazarro's famous doubletalk and two delightful yodeling songs from Carolina Cotton.
I'd say the music takes a front seat to the comedy here.
10/10 rating
Lost Skeleton of Cadavra is a remarkable little film that recreates the look and feel of old low-budget black and white sci fi films, but it has a refreshing spirit all its own that is smart and silly at the same time. You've never seen a film like this before. It's the best new film I've seen in years.
Lost Skeleton is fun in its own right because it takes the archetypes of sci fi and its cliché's and mixes them together to make something that is more entertaining than straight parody.
Those who look at Lost Skeleton as only parody or a recreation of old movies are missing Blamire's unique accomplishment. It's a mixture of late 50's pompousness and innocence with modern perspective and grace.
Done in good taste that reflects the boy-scout best of the 50's genre, the movie is unlike anything else that Hollywood or indies are putting out. It's refreshing, inviting, friendly, goofy, and true to a singular vision.
I've seen it now with four different small audiences, and for the most part everyone has enjoyed it immensely. You need to view this film with a group to get the most out of it--it's easily the most quotable movie I've ever seen. Blamire's sense of those delightfully absurd pitfalls many sci-fi writers have fallen into time and again is uncanny. Halfway between Shakespeare and Ed Wood, almost every line of dialogue is a wooden comic gem laced with a sense of sweetness rather than mean-spiritedness. It's hard to tell where the parody ends and the celebration of these loftily ambitious lines begins.
This makes the film a joy to watch again and again. Blamire is hitting something deeper than a stiff sci-fi parody, and his touch makes this a much greater film than on the surface it has any right to be.
I predict that Lost Skeleton will go the way of Young Frankenstein and establish itself as a comedy classic over the next couple of decades. It's just that good. Perhaps indescribably good, but I did my best.
Lost Skeleton of Cadavra is a remarkable little film that recreates the look and feel of old low-budget black and white sci fi films, but it has a refreshing spirit all its own that is smart and silly at the same time. You've never seen a film like this before. It's the best new film I've seen in years.
Lost Skeleton is fun in its own right because it takes the archetypes of sci fi and its cliché's and mixes them together to make something that is more entertaining than straight parody.
Those who look at Lost Skeleton as only parody or a recreation of old movies are missing Blamire's unique accomplishment. It's a mixture of late 50's pompousness and innocence with modern perspective and grace.
Done in good taste that reflects the boy-scout best of the 50's genre, the movie is unlike anything else that Hollywood or indies are putting out. It's refreshing, inviting, friendly, goofy, and true to a singular vision.
I've seen it now with four different small audiences, and for the most part everyone has enjoyed it immensely. You need to view this film with a group to get the most out of it--it's easily the most quotable movie I've ever seen. Blamire's sense of those delightfully absurd pitfalls many sci-fi writers have fallen into time and again is uncanny. Halfway between Shakespeare and Ed Wood, almost every line of dialogue is a wooden comic gem laced with a sense of sweetness rather than mean-spiritedness. It's hard to tell where the parody ends and the celebration of these loftily ambitious lines begins.
This makes the film a joy to watch again and again. Blamire is hitting something deeper than a stiff sci-fi parody, and his touch makes this a much greater film than on the surface it has any right to be.
I predict that Lost Skeleton will go the way of Young Frankenstein and establish itself as a comedy classic over the next couple of decades. It's just that good. Perhaps indescribably good, but I did my best.
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