anasu
Entrou em mai. de 2000
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações3
Classificação de anasu
If I could take only one movie with me to a desert island, this would be it. Wendy Hiller and Roger Livesey are so vibrant and every scene is a joy to watch.
Part of the chemistry is that Hiller is assertive and on top of everything and Livesey is more vulnerable and searching -- she resists him and he reaches out to her -- I think of Virginia Woolf's line about how the sexiest thing is if a woman is "man-womanly" and a man is "woman-manly."
My favorite moment comes early on, when Hiller says, about the eccentric colonel, "He's an odd one, isn't he," and Livesey responds, "Who isn't." There's so much feeling and humanity in how he says this -- so much depth -- I fall in love with his character and this movie every time.
Part of the chemistry is that Hiller is assertive and on top of everything and Livesey is more vulnerable and searching -- she resists him and he reaches out to her -- I think of Virginia Woolf's line about how the sexiest thing is if a woman is "man-womanly" and a man is "woman-manly."
My favorite moment comes early on, when Hiller says, about the eccentric colonel, "He's an odd one, isn't he," and Livesey responds, "Who isn't." There's so much feeling and humanity in how he says this -- so much depth -- I fall in love with his character and this movie every time.
I'm a big Rohmer fan - loved the recent Tale series, especially Tale of Autumn and Tale of Winter. This is one of my favorite Rohmer films which I can see again and again. The main character (wonderfully played by Marie Riviere) is depressed, moody, lonely and annoying -- which describes most of us, doesn't it -- and she's transformed by love, but only after she undergoes a journey that takes her deeper into herself.
What is it about Eric Rohmer? His main characters are usually a pain, they talk incessantly about trivial things, and they're bored and depressed. But Rohmer draws you in, absorbs you -- and somehow everything becomes quite soulful and profound and the films resonate in your head for days. Rohmer has what Nabokov called "shamantzen" -- spellbinding power -- the power of great storytellers.
What is it about Eric Rohmer? His main characters are usually a pain, they talk incessantly about trivial things, and they're bored and depressed. But Rohmer draws you in, absorbs you -- and somehow everything becomes quite soulful and profound and the films resonate in your head for days. Rohmer has what Nabokov called "shamantzen" -- spellbinding power -- the power of great storytellers.
This is one of my favorite screwball comedies -- a very smart movie with a sharp screenplay that never lags. In the same subversive spirit as Miracle of Morgan's Creek (another favorite film) - and builds to a similar stunning, hilarious, code-breaking climax. The script is beautifully structured and the performances are all terrific -- it's Irene Dunne's best film, and Elizabeth Risdon is wonderful in a smaller role as the aunt. Very underrated, don't miss it (check out James Harvey's insights on the film in his marvelous book, "Romantic Comedy").