badland
Entrou em mar. de 2000
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos4
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações10
Classificação de badland
Nobody's here, but I remember Shannon. It was one of those series that were mostly syndicated rather than network. It's not another Shannon which was in the 80's. I remember this with George Nader who was sort of another hunk guy like Rock Hudson but never made it to the big show. It didn't help that he took being out in order to cover Rock Hudson. Apparently Hudson left him money since George took the fall.
Anyways, I just liked his syndie show where he was an insurance guy who looked for people who lied about their insurance claims. He had a neat film camera in his car, between the front seats and he could flip a switch and the camera would rise up and film the bad insurance claims.
I suppose this is more about me as it was one of those TV shows in early 1960's that were syndies that I always liked because they didn't have as much money so they had to work out better ideas. Wish I could see more of those syndies.
Well, George, never knew you, but I remembered you with all the other syndie shows like Sea Hunt and many others.
IMDb should find more about this series.
Anyways, I just liked his syndie show where he was an insurance guy who looked for people who lied about their insurance claims. He had a neat film camera in his car, between the front seats and he could flip a switch and the camera would rise up and film the bad insurance claims.
I suppose this is more about me as it was one of those TV shows in early 1960's that were syndies that I always liked because they didn't have as much money so they had to work out better ideas. Wish I could see more of those syndies.
Well, George, never knew you, but I remembered you with all the other syndie shows like Sea Hunt and many others.
IMDb should find more about this series.
First of all, I don't understand why one of the negative reviews spent so much time to tell us what she thinks in a bunch of paragraphs. Sounds like someone who never got to make their movie.
Anyways, it's a very nicely made indie, a surprisingly good cast that follows a cliché story about that first baby thing, but the lead carries it off well and I enjoyed the trip. The Vegas idea worked well, but it always can do that when you're not sure where to go. I'm okay with the blonde girl and African American husband/lover, just seems to me it's become a cliché but again, I like all the characters.
Okay, being an old DP, I liked how it was shot for what was probably a minimal budget, angles were excellent and it was edited nicely, again for whatever the cost was.
While this baby/uncertain/who am I story has been seen before, it settles fine with me, the lead actress gives us a fresh look. I've done a few road films so I can't help going with her to locations like the Grand Canyon and again... it WORKS. I loved her shooting photos of strangers at Grand Canyon. Very revealing subplot here and it WORKS.
Dialog is good, it's simple, especially Grand Canyon. You should see Francis Coppola's Rain People which is strikingly similar, which was Coppola's second movie before Godfather.
The idea with using the kid's audio-video thing to speak to her mother works neatly, I liked it. Only thing near the end is that mom looks more like grandmother rather than mom.
A nice 72 minutes spent.
Anyways, it's a very nicely made indie, a surprisingly good cast that follows a cliché story about that first baby thing, but the lead carries it off well and I enjoyed the trip. The Vegas idea worked well, but it always can do that when you're not sure where to go. I'm okay with the blonde girl and African American husband/lover, just seems to me it's become a cliché but again, I like all the characters.
Okay, being an old DP, I liked how it was shot for what was probably a minimal budget, angles were excellent and it was edited nicely, again for whatever the cost was.
While this baby/uncertain/who am I story has been seen before, it settles fine with me, the lead actress gives us a fresh look. I've done a few road films so I can't help going with her to locations like the Grand Canyon and again... it WORKS. I loved her shooting photos of strangers at Grand Canyon. Very revealing subplot here and it WORKS.
Dialog is good, it's simple, especially Grand Canyon. You should see Francis Coppola's Rain People which is strikingly similar, which was Coppola's second movie before Godfather.
The idea with using the kid's audio-video thing to speak to her mother works neatly, I liked it. Only thing near the end is that mom looks more like grandmother rather than mom.
A nice 72 minutes spent.