freebird-10
Entrou em jan. de 2000
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações8
Classificação de freebird-10
Okay, this is a "good" film in that it is character driven, a bit like "Happiness" with its three sisters story (which is far superior). The worst of it--Emily Mortimer doing full frontal nudity, totallly gratuitous and robbing us of character development. Her character asks the man she's slept with to critique her body. Hey, instead of showing us the whole thing, which makes his critique invalid and distracts us from the extreme masochism of the request, how about just showing us her facial reactions to his "butt not round enough," "tit too droopy"? Wouldn't that be a more powerful way to go? This is not a daring move; it's ineffective and takes away from the story. HOWEVER, the good part is, if you're unlucky enough to have a borderline female in you life, Catherine Keener gives a dead-on portrait of this perpetually unhappy, toxic species. Something therapists can point to and victims can learn from. I'd recommend seeing this film just for that particular educational value, as well as some of the strongest writing.
What a disappointment. Stick with House of Games or The Spanish Prisoner or Glengarry, etc. Better movies about making movies have been made (The Stuntman for one) and I just didn't think this was funny. It was tedious and some terrific actors couldn't save it. Pass.
Unlike the McMartin trial, there are no questions here. These folks are pure and simple child molesters. A very good adaption from a very good, large volume, so kudos to the screenwriter for boiling it down. Clayburgh and Davis are great as child shrinks. Again, character drives the story of child molestation in a daycare home. See it and weep, and learn.