dsteve15
Entrou em ago. de 2000
Bem-vindo(a) ao novo perfil
Nossas atualizações ainda estão em desenvolvimento. Embora a versão anterior do perfil não esteja mais acessível, estamos trabalhando ativamente em melhorias, e alguns dos recursos ausentes retornarão em breve! Fique atento ao retorno deles. Enquanto isso, Análise de Classificação ainda está disponível em nossos aplicativos iOS e Android, encontrados na página de perfil. Para visualizar suas Distribuições de Classificação por ano e gênero, consulte nossa nova Guia de ajuda.
Selos2
Para saber como ganhar selos, acesse página de ajuda de selos.
Avaliações9
Classificação de dsteve15
Avaliações7
Classificação de dsteve15
This is a feel good film. Well, I got that feeling from it. Crime, drama, gangster, court and a little romance thrown in, the entire film is steady and this makes it simple to view and enjoy. Not too heavy or complicated, it relies on scene structuring to cultivate the story line. It has the type of acting that provides a comfortable viewing experience. Humor is placed in a measured effect throughout the film. The plot is steady. It seems to give the same atmosphere of TV or detective shows made in the 70's. One nice thing is the use of good actors without causing any single actor/character to become the "star" of the film. Also of note; the intro song is good, the use of radio and TV broadcast in the film and the sky shots of the city.
This is a dumb movie, silly as can be. It takes a while for the funny and gratifying nature of the film to reveal itself. Soundtrack, too cool. Filmography and camera, great. Joe Dirt covers the earth with a foolish scheme of human nature and the oddness of humanity. Notice the director has mostly TV series as past credits. If you want to see good professional actors act like idiots, then here it is. Be patient with this film and enjoy the timed story changes. Pathetically good. Truly, aside from the good acting, the soundtrack might as well be the label for a party. This may be one to see more than once.
Even halfway through this film, I would not have recommended it. Now I would watch it again. It seems like one of those weak plotted, thrown together films with dull and boring driving scenes. And there is plenty of that. But it is not the plot. Nor is it stunning acting. So what is it about this film that works? Strong, pressing acting, without letting up. Each lull in the "action" precipitates more progression towards anticlimax. It gains a hidden rhythm and timing which turns what would seem to me to have been the most boring movie of the month, if not of the year, into something that stands on its own. Incidentally, they must have spent a small fortune on explosive materials. For a film having only four leading actors, Michael Dudikoff, Mark Hamill, Savina Gersak and then finally, Robert Mitchum, who plays this kind of role well, there was more going on than normal observation revealed. It comes out as a strange film and if you appreciate the way these things come together with a good, full cast, then watch it all the way through. After it is over, you'll like it. Then when you think about it, you'll like it a little more. Very odd. In fact, as I consider it now, part of the character of the film borrows from the style of older horror films made in the 50's and early 60's.