talos123

Short films are not usual my cinematic drug of choice, so I love that THE MALE GAZE: STRIKERS & DEFENDERS blew away my expectations -- it's a brilliantly cohesive curation of gay stories set in the universe of high school team sports. No, these films do not try to collectively be the gay man's answer to predictable sports movies like HOOSIERS and VARSITY BLUES. In fact, very little time is spent on the the soccer field and the endings aren't Hollywood-pat. What we get are the raw, deep, and real journeys of queer characters which nail many of the details of high school that play in my mind to this day with haunting perfection - the bullying, the toxic masculinity, the locker room banter, the need to fit in, and the complex emotions that can nearly cause a queer boy's heart to implode.

A teenage boy's need for connection is portrayed with heartfelt simplicity German filmmaker Ron Jäger's Inseln (Islands). Darker themes of abuse, revenge, and homophobia are effectively captured in both French filmmaker Laurent Lunetta's Un été viril (Play it Like a Man) and U.K. filmmaker Peter Lee Scott's Colours. The final film Passer Les Champs (Through The Fields), from French filmmakers Camille Melvil and Fabien Cavacas, gently touches upon the dynamic between a young teen starting to explore his sexuality and his lovingly protective older brother.

Each of these stories immediately captivated my attention from their first frames, to the point where I nearly forgot I was reading any subtitles for the French and German entries. Definitely check out this incredibly satisfying collection of films.

I saw this at a screening in Hammersmith of all places, which isn't usually a go-to place for independent, art-house or gay cinema, but it was very busy when I arrived. And for good reason. This film won prizes at Outfest and some other festivals and was British, quite a rarity, so I made sure I checked it out.

I left the screening wanting to talk about the film, to discuss it with as many people as possible (unfortunately I went on my own) as it is nothing like I have ever seen before. Some scenes are incredibly powerful and moving, and I wanted to know exactly which moments were real and which were staged. Nothing seemed staged at all (it is apparently a 'docu-drama') and although Pete himself has approached this line of 'work' with a goal to pull together enough finances to invest in an education and a better future, some of the other boys amongst his friends do not have this immediate sense of ambition. What happened to them? This is what I thought was very brave about the film. It never at any point made a judgment. It was an intimate peek into the lifestyle of a rentboy and dashed any preconceived ideas that people have about the oldest profession in the world. Pete is not that person you expect to see, but some of his friends are, yet they all look after one another. This is not Wiktor Grodecki, and anyone who watches this thinking that their Daily Mail high-ground will be bolstered by a mucky, seedy voyeurism that condemns it's subject matter via subjectivity will not get what they want. There is care, love and affection here, alongside extremely raw moments of insecurity and depression simmering beneath that confident veneer you see in many young men. There is no forced introspection. No moment where Pete must explain himself to camera. This is a film projected from within a society that does not judge itself and would never care to.

Greek Pete will divide audiences, but if you go in with an open mind, you will be stirred, jolted into action. It will make you think, and talk about it with others who have seen it. Any film that encourages intelligent debate should be seen, and this is one of them.